DSLR is dead, long live DSLM! Panasonic Lumix G5 camera review. Full review of Panasonic Lumix G5 (beginning) Results of camera research from Roskachestvo

Panasonic LUMIX G5 is a continuation of the glorious line of G. The devices of this series are, in my opinion, one of the best embodiments of the very idea of ​​mirrorless cameras. Many manufacturers strive to make mirrorless cameras as compact as possible; it really doesn’t work, since objective limitations on minimization impose, excuse the pun, the dimensions of the lenses (unless, of course, these are super-flat "pancakes" fixes). As a result, mirrorless cameras lose their ergonomic grip, acquire crumpled controls and turn out to be inconvenient to work, and at the same time remain without the much desired diminutiveness.

In this sense, the Panasonic G5 is the most optimal mirrorless camera. It retains a comfortable grip (I repeat - a comfortable one! Look at its ergonomic shape) and large enough to still be a camera that is pleasant to hold in your hands. It just looks like a very small SLR camera.

The monitor is not just a swivel. It is touch-sensitive, like other LUMIX G models. In the implementation of the touch interface, Panasonic is on the right track - not all control functions are transferred to the monitor, but only a few. If you do not like this type of control, you can use only ordinary, "iron" buttons and levers. However, the touch monitor allows you to perform specific functions - by touching the screen, you set the AF point, or you can turn on the mode in which in this case the picture will be taken.

However, this is not the first time we have seen all this, but what is unique about the G5 is the ability to use a touchscreen monitor and look through the viewfinder, where the results of your manipulations will be visible. The viewfinder of the G5 is, of course, electronic, and of very good quality, with an auto-switch sensor.

The device is available in three color schemes - black, white and silver.

Another innovation in the G5 interface– it is a joystick lever that is located under the index finger, between the shutter button and the video recording button. It sticks out vertically upwards and resiliently bounces left and right. This joystick is programmable, however, the available functions were found quite a bit - zoom control (for lenses that support this function), exposure compensation, or AUTO. The joystick can also be used to navigate the menus.

The joystick allows you to enter EV shift quickly and easily. It's even too easy - you can easily touch it with your index finger and not notice that the pictures are now taken with an offset of + 1 / 3EV. I have succeeded in such a trick more than once. When entering exposure compensation (and other manipulations with the exposure pair), scales appear on the screen that clearly show the set values. By the way, here you can also see a two-dimensional electronic level, which helps to keep the camera strictly horizontal during shooting.

This is how the menu for switching the basic modes of the camera looks like. By the way, you can set the background image for this menu yourself - I don’t remember that there was such a possibility in any cell.

The shooting menu (referred to here as the “recording menu”) contains six pages.

	As befits an amateur camera, Panasonix LUMIX G5 has a large number (more than twenty) scene programs. They have a separate SCN position on the mode dial. The names of the plots are not as banal as usual (Landscape, Portrait, and so on). In some cases, it is not even completely clear what was meant. Ease? .. hmm.

	There are five of these programmable buttons on the rear panel. More precisely, there are three real iron buttons, and two more buttons are virtual, you can interact with them through the touch interface. By selecting the "Customize Fn Buttons" item in the menu, you first select which of the five buttons you want to program ...

And then assign the desired function to it. The list is quite extensive, thirty points:

The trademark of Panasonic cameras is the on-screen menu Q.MENU, which gives quick access to the most frequently switched parameters. For LUMIC G5 it looks like this:

In fact, the Q.MENU is superimposed on top of the image, that is, you can change the parameters without losing sight of the scene being shot. I deliberately made these screenshots on a black background for better readability.

It's great that the Panasonic G5's Q.MENU is programmable, you can redefine the functions included in it. We asked the developers about this, starting with the first appearance of Q.MENU in Panasonic cameras, and now, finally, we waited. True, I did not have time to try how it works. Of course, we'll tell you about it if the LUMIX G5 gets to us for more detailed testing.

FS widget

2 years ago

Convenient swivel screen; - optical stabilization in a whale lens; - low pre-crisis price (I bought it for 12,500, for its current price you can buy a much better device).

2 years ago

An excellent viewfinder! High quality swivel screen. Excellent ergonomics. Silent shutter. Possibility to specify focus points. RAW. Video quality. Sound capture quality (for the built-in microphone), the presence of noise cancellation. Photo quality. Wide range. Working iso up to 1600. Work speed, responsiveness. Instant focusing, almost no miss. Tracking focus, manual, face detector. Subject photos. Long battery life (600 photos per charge). Deep jpeg processing (HDR, range expansion, sharpening, scenes). Five customizable keys.

2 years ago

Fast autofocus. Great pictures! He makes great videos. Light weight. The series takes 6 pictures per second. The viewfinder is folding with multitouch. Blinozum is very nimble with good angles and is great for video shooting

2 years ago

Electronic shutter (you can time-lapse without fear of killing the shutter resource) +1080 50p / 60p (you can make a smooth layer fraudulent video) + Good colors, good video quality (but there are drawbacks)

2 years ago

2 years ago

On the whale lens, it is less noisy and sharper than my XZ-1 Olympus (actually not surprising).

2 years ago

2 years ago

The best camcorder ever used. Lightweight, quiet operation. The control is convenient.

2 years ago

Just a cool CAMERA !!!

2 years ago

lightweight, fast, excellent photo quality

2 years ago

Native batteries are expensive (Non-native ones are not suitable for this model, digital protection is wired up and the fotik sees that the battery is not native, writes it and turns it off.

2 years ago

Mediocre photo and video quality: noise in low light, poor sharpness;
- resistive touch screen - an outdated technology that requires significant efforts to press on the screen;
- the lack of the ability to charge via USB, you need to remove the battery from the device to charge it;
- the build quality of the device leaves much to be desired.

2 years ago

jpeg lathers, although the settings for its formation are very good. There is no external microphone, although the built-in one is often enough. do not aim the built-in flash at the ceiling. At dusk, focus misses 1 out of 4-5 times, much less often in the light. Sometimes, with a long series, the photo freezes on the recording for 5-10 seconds, even on a high-speed card. Automatic video recording.

2 years ago

I have not found it yet, except for the price of course

2 years ago

Panasonic produces carcasses for different regions with different firmware, there is a version of PAL video 25/50, and there is NTSC 30/60 and there is no possibility to switch PAL / NTSC in the camera menu ... this is bad.
There are two bugs that Panas is in no hurry to fix !:
1) in AVCHD FPH video mode (according to the instructions), the output should be 25p / 30p (progressive) video, and it turns out 25i / 30i (interlace), the picture in this mode is less clear than in PSH (60p) mode. It turns out that the Panasonic G5 cannot shoot AVC video at 1080 25p / 30p, and if you want the sharpest video possible, you will only have to shoot at 50 / 60p.
2) in AVCHD PSH 50p / 60p video mode using the anti-flicker function = 50, you get video with double frames (1 frame = 2, 3 = 4, 59 = 60), which can be seen in any video editor ... it's tin

2 years ago

You need to point your finger a lot. In winter conditions outdoors - unsuitable. There was no declared function Macro in the usual sense! There is only Intellectual Macro Shooting, and this, excuse me, is nothing! Fotik decides for himself what he will make sharp in the bud, and what not! So for those who like to take pictures of pistils, petals, bugs and spiders - this model can not be considered in principle !!!

2 years ago

Video is capable of shooting only in a stationary position, if it slows down with wiring, low resolution is stronger, at high resolution it is less, but unacceptable.

2 years ago

Expensive lens 14-42 electronic, which is under the video. And it is difficult to find a filter for it.

2 years ago

For us, there are simply no lovers of them. Well, the pros will still have their say

2 years ago

It began to resemble more "DSLRs" - the ledge under the right hand was enlarged, and the material of its decoration also changed. These changes are clearly beneficial, the G5 is a little more comfortable in the hand than its predecessors and practically does not slip. The build quality is at a high level. Precision fit of parts and high-quality plastic of the case ensure that there are no squeaks and create a feeling of reliability.

Panasonic Lumix DMC-G5 is a new member of an extensive family

Although the dimensions of the device are not too large - 119.9 x 83.2 x 70.8 mm, you cannot call it a pocket one. But still, there is not too much room to accommodate a rich set of controls, which, at first glance, is somewhat detrimental to ergonomics. The external resemblance of the G5 to DSLRs leads to the fact that many users unconsciously expect to get control similar to DSLRs. The designers of the G5 didn’t work a miracle, but they did a pretty good job of getting around this problem. The menu of the device has been noticeably redesigned, which made it possible to conveniently make settings using the touch screen. The possibility of "traditional" management has also been preserved.

Despite the seeming crowding of the governing bodies, it turned out to be quite convenient to work with the G5 even with gloves, which is very important in our latitudes. Although the weight of the G5 with the supplied lens is less than five hundred grams, and you can easily hold the device with one hand, you almost always have to use both hands for comfortable control. A new lever has been added to the control wheel located on the back of the device, which is located on the top panel of the G5 in front of the shutter button. Its functionality is configured through the camera menu.

Panasonic Lumix DMC-G5 features well thought-out ergonomics

The additional governing body is a very useful innovation, of course. Note that in SLR cameras its presence is one of the signs that take the younger models one step higher. However, many would prefer an additional control wheel rather than a lever, since the device's settings are too easily lost when accidentally pressed. However, this is not a constructor's fault.

Of course, in order to avoid violating the settings, the lever can simply be disabled through the menu, or reconfigured to options less critical to accidental changes. But do not forget that one of its main functions is motorized zoom control, which in this version is already familiar and understandable to users from many compacts. So far, only two lenses in the line are equipped with the Power Zoom function - H-PS14042 and H-PS45175. It seems that fans of video shooting will appreciate them, but, unfortunately, we did not have such an opportunity.

The micro 4/3 system is gaining ground not only due to the relative compactness and low cost of interchangeable lenses, but also due to a growing fleet of compatible optics, including those from independent manufacturers. However, changing lenses turned out to be not so simple - to ensure correct collaboration, lenses that were released earlier than the G5 may need to be flashed. Although photography enthusiasts are unlikely to be discouraged by the firmware update procedure, for users looking for a better alternative to a conventional "soap box" in the G5 it can become a barrier not only to expanding the fleet of optics, but also to purchase a device with interchangeable lenses in general. Lenses 4/3 are worthy of a separate review, and we will return to our hero.

Panasonic Lumix DMC-G5 controls - compactly located

Opponents of mirrorless systems cite the quality of the viewfinder as one of the arguments in favor of DSLRs. Indeed, a decent electronic viewfinder is perhaps the most anticipated innovation, which would significantly push the DSLR competitors out. The viewfinder in the G5 is high-resolution and informative. The sighting point is far enough away, so that it is convenient to use it even with glasses. A rather convenient “Eye Sensor AF” function has been implemented, when turned on, the device automatically starts focusing when the user brings the camera to his eyes.

But, unfortunately, you can use the viewfinder only for shooting static or sedentary objects. Any movement in the frame gives rise to a long trail, with intense movement in the frame or the movement of the camera itself, it becomes very difficult to make out what is happening in the frame. The touch screen saves the situation, which easily and accurately rotates on a fairly tight hinge. Good brightness and color rendition, wide viewing angle and absence of lags in the transmission of motion for most users make working with it no less convenient than with an optical viewfinder. Implemented the ability to directly select the focus point and release the shutter with one tap on the screen. The execution seemed to us very convenient. It works quickly and accurately, there is protection against accidental clicks (by default, the function is disabled, it can be turned on in two clicks through the pop-up menu, which is called "intuitive"). So the electronic viewfinder G5 will be needed only in rare cases, for example, farsighted people, for whom the use of the display, as a rule, is not very convenient.

Battery

The combination of an electronic shutter and a rotary touch screen allows for absolutely silent and, with some skill, almost invisible shooting. The owners of DSLRs can only envy such opportunities so far.

It should be remembered that when using the electronic shutter, shutter speeds longer than one second and using the flash are not available, however, neither one nor the other will be required for covert shooting.

The G5 has both a built-in flash and a hot shoe for connecting an external one. Despite the modest guide number, the built-in flash recharges rather slowly. As for the rest, there were no complaints about the built-in flash - the G5 correctly worked out scenes both with bright backlight and in the dark. There were no problems with an external flash either.

It is worth noting that although in the dark it sometimes misses the mark with the white balance, it is not difficult to "cure" either manually setting the color temperature or shooting in RAW. So there's no need for flash when using the G5 - you can almost always get an image of acceptable quality simply by raising the ISO equivalent. In addition, without a flash, the device “lives” a little longer on one battery.

Using a flash will significantly reduce the operating time

The device turns on very quickly, responds to commands clearly and without delays.

It would seem that this is the happiness of the paparazzi - small size and weight, "power reserve" of more than three hundred frames per charge, silent shooting, fast work and focusing, the ability to raise the sensitivity and work without a flash ... However, not everything is so simple. Even a beginner paparazzi will quickly discover a number of features that make it difficult for him to work.

Autofocus works tenaciously and quite accurately, with a conscious choice of the focusing point, perhaps the G5 in terms of speed and focusing accuracy reached the level of SLR cameras and, perhaps, even surpassed some models. But if you give the choice of the focus point to the automatic, the device tends to give preference to distant objects, which often makes it impossible to shoot from non-standard angles without looking at the screen or viewfinder.

The buffer size is also small - only 9 frames in RAW format. The claimed maximum continuous shooting speed at full resolution (in RAW format) is 6 frames / sec. This is an excellent indicator, if not for one "BUT" - this speed is achieved only with autofocus AFS, ie. on the first frame of the series. There is also a lack of an image stabilizer in the device - while there are not so many lenses with stabilizer in the micro 4/3 system.

Settings Panasonic Lumix DMC-G5 are implemented through a user-friendly menu interface

One more family flaw will be noticeable. Despite the considerable sensor resolution of 16 megapixels and the updated processor, the ability to take a frame offhand and easily cut out a small desired fragment from it, the G5 user will be practically deprived. The Cropping function in the menu of the device, of course, is present and with its help it is very convenient to slightly correct the composition of the frame. However, there is not enough detail to enlarge the fragment.

The updated Venus Engine has really reduced noise noticeably - the image from the G5 up to ISO 6400 looks great on a computer screen or when printing up to A4 format. At ISO 12800, the pictures look decent when printed at 10x15. But even when using low ISO values, the picture starts to "tear" when trying to further increase. Partly, this problem can be removed by shooting in RAW format.

Test shots

f / 5.6; 1/10 s; ISO-1600	f / 3.5; 1/13 s; ISO-8000	f / 3.3; 1/13 s; ISO-8000
f / 3.5; 1/80 s; ISO-160	f / 3.8; 1/80 s; ISO-160	f / 5.6; 1/80 s; ISO-400
f / 4.5; 1/60 s; ISO-200	f / 5.6; 1/60 s; ISO-160	f / 5; 1/60 s; ISO-400
f / 4.4; 1/60 s; ISO-200	f / 5.6; 1/80 s; ISO-160	f / 3.5; 1/80 s; ISO-160
f / 4.5; 1/80 s; ISO-160	f / 9; 1/640 s; ISO-400	f / 16; 1/1300 s; ISO-400
f / 10; 1/800 s; ISO-160	f / 5.6; 1/100 s; ISO-160	f / 5.3; 1/80 s; ISO-640
f / 5.2; 1/15 s; ISO-1000	f / 11; 1/500 s; ISO-800	f / 4.9; 1/10 s; ISO-1000
f / 9; 1/400 s; ISO-160	f 5.6; 1/320 s; ISO-400	f / 5.6; 1/10 s; ISO-1600 but
f / 10; 1/500 s; ISO-160	f / 1.7; 1/60 s; ISO-1000	f / 1.7; 1/125 s; ISO-3200
f / 4; 1/30 s; ISO-640	f / 5.2; 1/200 s; ISO-160	f / 5.3; 1/100 s; ISO-160

However, not everyone who takes a camera in their hands considers himself a paparazzi. Yes, and not everyone needs to enlarge pictures more than on A4 sheet. So the disadvantages listed above will most likely not even be noticed by many potential users. On the other hand, such features as excellent video quality with the possibility of smooth zoom adjustment, an abundance of scene programs and creative filters will not be ignored. Those for whom the abundance of settings seems to be superfluous will like the iA mode (intelligent automatic machine), which copes with its task quite well and in the overwhelming majority of cases predicts the owner's wishes.

For DSLR owners looking for a second camera “for every day” the G5 is unlikely to be of interest - as a rule, they need something more compact, and even such a rich functionality will not be used. for "serious cases" there is already a set of techniques.

Panasonic Lumix DMC-G5 is an almost professional camera for hobbyists

Among people who do not use DSLRs, but are not satisfied with modern "soap boxes" there are two main categories - some expect to get a "one-button" camera, but with the image quality noticeably better than compacts, others are looking for maximum functionality with a relatively modest budget. For both, the G5 can be a very interesting option.

The most important update in the Lumix G5 is a new 16-megapixel sensor, 1080p video, fast burst shooting at up to 6 frames per second at full resolution, silent shooting with the electronic shutter option, three new HDR modes, a choice of artistic effects and touch focus using screen while aiming with the viewfinder. The body has also been redesigned with a new sensor that automatically switches between the viewfinder and screen.

Also thanks to the G5, Panasonic has renamed this category of cameras from Compact Camera System (CSC) to Digital Single Lens Mirrorless, or simply DSLM. In my opinion, this renaming is very appropriate, and now in the review we will always refer to the new designation.

Panasonic Lumix G5 Watching Videos & Interviews

At a press conference with Panasonic representatives in Europe, Sebastian Draverta, General Manager for Europe, was interviewed. In this interview, he was asked to talk about the new features of the G5, as well as the topic of renaming this product category by the company. Of course, the reporter did not miss the opportunity to ask about the new flagship GH series, and two new LX7 cameras, the Lumix FZ200 and Lumix, were also reviewed. Note, the interview was filmed with an Olympus E-M5 with a 12-50mm 12mm lens, and a backup of the audio from the H2n Zoom microphone was also recorded, but in the end the audio track from the E-M5 was chosen, it turned out to be more balanced.

View Interview. Panasonic Lumix G5, LX7 and FZ200

Let's take a closer look at the Panasonic Lumix G5

At first glance, the G5 appears to be similar to its predecessor, both in appearance and resolution, but if you look at it again, you will notice a number of important updates. While working with the G5, first of all, you pay attention to the physical differences, for example, the grip in the new model has improved significantly. The sensor for switching between the viewfinder and the screen turned out to be incredibly convenient, and I also liked the new lever that can be used to adjust the focal length of the zoom lens. A nice touch is that this lever is compatible with the Olympus 12-50mm zoom lens.

An interesting new feature is the ability to use the touch screen to change the AF area when composing with the viewfinder. It sounds a little odd, and the need for such an innovation does not seem clear, especially for those who have not used the G series before, but in fact, in practice, this is an amazingly useful feature. When working with the screen, you simply click on the area you want to make the center of attention in the frame, which was not possible before and you had to use the arrow keys to move the AF area one stop at a time. Now with the G5, you can compose with the viewfinder, but touching the screen can change the position of the AF area, and I must say, this function works very well.

The problem may arise for people who look into the viewfinder with their left eye, they can accidentally shift the AF area with their nose. Apparently, some of the Panasonic representatives who created and tested this product had such a problem, so the “Touch-Pad AF” option is disabled by default.

As for the screen itself, it is still 3-inch, with an aspect ratio corresponding to 3: 2, but Panasonic has increased the resolution from 460K to 920K, which naturally puts it in an advantageous position in relation to competitors. ... Panasonic also unveiled an updated electronic viewfinder, although specs seem to be the same as its predecessor with 1,440k-dot resolution and 1.4x magnification.

Another pleasant innovation is the additional electronic shutter, which guarantees absolutely silent shooting, which is very convenient when photographing weddings and other ceremonies where silence is important, as well as when photographing wild animals that may be frightened by camera operation. Burst shooting has been bumped up to 6fps (up from 4) at full 16 megapixel resolution, although you'll have to slow down to 3.7fps to enjoy Live View and continuous autofocus. As before, there is an option with 20 frames per second - Super High, in which the resolution is reduced.

The Lumix G5 also has a new HDR mode that you can enable via the recording menu. The essence of the mode is that it takes and automatically combines three frames, expanding the tonal dynamic range. Here is an example of one of these combined frames, for comparison, next to it is a picture taken with HDR turned off. As you can see, the HDR version is generally lighter, apart from the overly dark areas at the rooftop and in the greenery. In general, the result is very good, but the operation of the mode should be checked in other examples as well.

Panasonic Lumix G5. HDR mode is disabled. 1/1000, f5.6, 160 ISO Panasonic Lumix G5 HDR mode is 1/1000, f5.6, 160 ISO

Speaking about the GH series, I would like to note an unpleasant fact - there was no mention of a successor to the already slightly outdated GH2 model, and it's amazing, Photokina took place in September, and it was a great time to announce a new model, but maybe if you wait until end of the year, then the receiver will be announced. Thus, we can only speculate about the future specifications of the still unannounced camera.

Panasonic has now released two waterproof lenses, now it makes sense to release a waterproof housing for these lenses as well. In an interview with Sebastian Draverta, the waterproof case was mentioned in passing. In terms of image stabilization, Panasonic, as always, has a strategy of equipping only optics with image stabilization, but not cameras.

Ultimately, the Lumix G5 lags a little behind the Olympus E-M5 in several ways, such as weather seal, built-in stabilization and burst speed, but to be completely fair, the G5 is a junior model. It's also important to remember that the G5 has its tricks up its sleeve, with features that the E-M5 lacks, such as a beautifully designed touch-focus screen for video and when composing with the viewfinder. It also boasts 1080p video at 50 or 60 frames per second and truly silent shooting.

To the right of the viewfinder is a quick change button for basic settings and a reprogrammable AF / AE Lock key. A little to the right is a ledge with a rubberized thumb pad, as well as a scroller for shutter speed, aperture and exposure compensation. To the right of the display are a navigation button, as well as a button to enter the view mode, a separate display settings button and one programmable delete / cancel button.

Functionality

As already mentioned, the Panasonic Lumix G5 received an updated Live MOS sensor with a resolution of 16 megapixels. The manufacturer himself calls it "digital", since part of the signal processing functions are assigned directly to the sensor. In theory, this should improve noise performance, which means shooting at higher ISOs. Well, compared to the Lumix G3, the sensitivity range has expanded by one stop and is now ISO 160 - 12800.

Autofocusing is done with the usual contrasting method, while competitors from Sony and Canon use a hybrid focusing method. The Panasonic Lumix G5 features Multi-Zone, Spot, Tracking and 1-Zone AF. A total of 23 focusing points. The focusing speed depends on both the lighting conditions and the specific lens. The focus point is set with one touch using the touch screen. A Quick AF function is also available, which works when the focus point is on a target. The dedicated AF / AE Lock key is responsible for autofocus lock. In this regard, the camera does not differ from its predecessor, showing approximately the same speed of the focusing system. Exposure metering is carried out using the usual methods: single-zone, multi-zone and center-weighted.

One of the significant innovations is the fully electronic shutter. It does not write off the traditional mechanical, but rather complements it, allowing for silent shooting. The disadvantage of such a shutter is the inability to use the flash - it is synchronized only with the mechanical shutter. A special Silent Shutter function is used to activate silent shooting.

It takes about a second to turn on the camera. During this time, the device is completely ready for shooting. In combination with a fast memory card, excellent high-speed performance can be achieved, for example, the time to save a frame is only half a second. In the meantime, the recording is in progress, the device is ready to shoot the next frame. Recording a RAW file takes about 5 seconds, also without blocking the camera.

The Lumix G5 is 2 frames per second faster than the previous model in continuous shooting, now it is 6 frames per second, and in full resolution and even in RAW format. It's even better than budget or mid-range DSLRs. When using continuous autofocus, the frequency is reduced to a maximum of 3.7 frames per second. In addition, there is the ability to record 20 frames per second, but the resolution of the images drops to 4 megapixels.

The camera also added in terms of video shooting capabilities. Full HD video is recorded at 60 fps with progressive scan, while the Lumix G3 was able to get this rate only using interlaced. The length of the video is limited to 30 minutes, and the video stream can be compressed using either the AVCHD codec or MPEG-4. Sound is recorded using the built-in stereo microphone, but an optional external microphone can also be used if required.

Panasonic Lumix G5 has a set of manual shooting modes and allows you to adjust the shutter speed in the range from 1/4000 s to 60 s. In addition, the Lumix G5 offers 14 creative modes to suit all tastes, including 3D shooting. Unfortunately, panoramic and interval photography are absent, but there is a decent set of tools for in-camera photo and video processing. The picture can be cropped, rotated, reduced or changed the aspect ratio. For videos, the division of files into parts by means of the camera is available, which is extremely convenient.

The lithium-ion battery can take about 320 shots when fully charged. That's 50-70 more frames than the Lumix G3. However, the CIPA method, which usually measures the battery life, implies the active use of the built-in flash. If you shoot without it (which is not at all difficult due to the large number of fast lenses for Micro Four Thirds), you can get the result of 500 frames. This is already decent.

Screen, viewfinder

The first time you turn it on, a clear picture on the camera display is striking. Those who have seen the Lumix G3 in action will definitely like the two-fold difference in display resolution. The color rendition of the screen is correct, the brightness and contrast are quite sufficient for comfortable use. The design is still rotatable, as already mentioned. To protect against accidental scratches and damage, the display can be turned to face the camera body. A feature of the touchscreen display is the Touchpad AF function, which allows you to move the focus point with your finger while looking through the viewfinder.