Fuji x t1. Fujifilm X-T1 - Complete Review. Dust and moisture protection

Fujifilm continues to consistently develop its X-series mirrorless camera lineup. And today we will introduce you to the top (to date) model called Fujifilm X-T1.

Fujifilm X-T1 Specifications

Fujifilm X-T1
Bayonet	Fujifilm X mount, support for Fujifilm XF and XC lenses
Sensor	16.3 MP X-Trans II APS-C (23.6x15.6 mm)
Matrix photosensitivity	ISO200-6400 (RAW / JPG), Extended ISO100 / 12800/25600 (JPG only), AutoISO (200-6400)
Exposure metering	multizone, center-weighted, point
Exposure compensation	-3.0EV - + 3.0EV, step 1 / 3EV
Excerpt	1 / 30-1 / 4000 s (in P mode - 1 / 4-1 / 4000 s), long (manual) up to 60 minutes
Burst shooting	8 or 3 frames per second
Burst buffer	RAW / RAW + JPG - 8 frames, JPG - up to 28 frames at 8 fps and until the memory card is full at 3 fps
White balance	several presets with manual override, color temperature in Kelvin, WB by sample
Self-timer	2 or 10 s
Flash	no built-in, external flash with manual lifting and guide number 8 (ISO200) included; external flash shoe (TTL)
Flash sync speed	1/180 and slower
Focusing	manual / single frame / continuous; Contrast TTL AF and TTL phase detection AF
Maximum image size	4896 x 3264 (3: 2), 4896 x 2760 (16: 9), 3264 x 3264 (1: 1)
LCD display	3 "TFT, 1,040,000 dots, 3: 2 aspect ratio, flip-up
Viewfinder	0.5 "OLED, 2,360,000 dots, 3: 2 aspect ratio, approximately 100% frame coverage
Video recording	1920 x 1080 60 / 30p, continuous recording up to 14 min; 1280x720 60 / 30p, continuous recording: up to 27 min.
Recording media	SD / SDHC / SDXC memory cards (UHS-I compatible)
Recording format	Photo: JPEG (Exif 2.3), RAW (RAF format), Movie: MOV (H.264, Linear PCM Stereo)
Communications	USB 2.0, HDMI, external microphone / remote control connector (2.5 mm stereo mini-jack)
Direct print	PictBridge compliant
<Беспроводные функции	Geotagging, wireless communication (image transfer), viewing and receiving images, autosave to PC
Other functions	PictBridge, Exif Print, Time Difference, Quick Start Mode, Silent Mode
Food	Li-ion battery (7.2 V, 1260 mAh)
Dimensions (edit)	129 x 90 x 47 mm
Weight	440g with battery and memory card

From a technical point of view, the X-T1 is a slightly improved version of the Fujifilm X-E2 camera, which we already wrote about. There are actually few differences: an electronic viewfinder with a higher magnification (but the same resolution), a dust- and water-resistant body, more controls, a flip-up screen and a slightly higher continuous shooting speed (8 fps versus 7).

Externally, the X-T1 differs markedly from the X-E2: if the second is made in the rangefinder style with an electronic viewfinder in the corner of the camera, then the X-T1 is a "slant" for a classic film SLR. The workmanship of the case is very high, the camera feels like a kind of "monolith" and fits perfectly in the hand. The dimensions of the X-T1 are almost the same as those of the X-E2, but the "body weight" has grown by 90 grams and is 440 g.

Visually, the viewfinder in this model is simply huge, even larger than in the Canon EOS 6D full-frame DSLR. The flip side of the coin is that the eyepiece is slightly offset, so it won't be easy for bespectacled people like me to use the camera. The viewfinder has a very smooth picture and displays 100% of the frame area, and the refresh rate, even in low light, does not drop below 50 Hz.

Due to the central location of the viewfinder on the camera body, there is space on the left for another dial-switch, which is responsible for the ISO sensitivity. Two similar dials located on the right, as before, are responsible for shutter speed and exposure compensation. By the way, have you noticed the round "pimples" in the center of the sensitivity and shutter speed switches? These are unlock buttons. Moreover, if to rotate the sensitivity dial, the button must be pressed in any case, then in the case of shutter speed, it is needed only to switch between manual and automatic modes. The exposure compensation disk does not have such a lock, but in any case it rotates very tightly (apparently, this is done so that it does not accidentally get lost in the bag).

On the same axis with the sensitivity and shutter speed dials, there are switches for the drive mode (single and continuous shooting, bracketing, self-timer, etc.) and exposure metering, respectively. In earlier Fujifilm cameras, these parameters were adjusted through the menu.

There are also changes at the back: because of the flip-up screen, the column of keys to the left of the screen disappeared. Partly the need for them disappeared due to the new controls, partly they were scattered in other places. Finally, there is also a new key that invokes the manual focus assist mode. Navigation buttons in the menu can be assigned shortcuts for quick access to frequently used functions, and the same is true for the Fn1 and Fn2 buttons located on the front and top of the camera.

The X-T1 has finally fixed the autofocus switch: now the most frequently used modes (manual and single focus) are in the extreme positions. Previously, the single focus was located in the middle, which is why I constantly "flew" past it. By the way, pay attention to the sync terminal noticeable in the same photo for connecting studio flashes.

The flip screen design in the Fujifilm X-T1 is similar to the early Sony NEX: the screen can be flipped up 90 degrees or down 45 degrees. This is more than enough for shooting "from the hip" or, on the contrary, overhead.

There is no built-in flash in the X-T1, but the buyer will find a small external one in the box with the camera (model EF-X8). This flash has no battery compartment and is powered by the camera. It is also controlled very simply: in the lowered position the flash is off, in the raised position it is on.

From the point of view of the menu, we did not find any significant differences from the Fujifilm X-E2.

Camera in operation

It is with a feeling of deep satisfaction that I can report that the X-T1, like the X-E2, boasts quite fast autofocus. The latest Micro 4/3 or Nikon 1 cameras are still far away, but Samsung NX or relatively old Sony NEX models have already managed to catch up. Seriously, during the time that I was communicating with the camera, the autofocus never let me down, that is, there was no such thing that the camera simply did not focus on sharpness for some unknown reason.

Like other current-generation Fujifilm cameras, the X-T1 is great for shooting older non-autofocus lenses. The user is offered a choice of three types of manual focusing assistance: enlarging the selected area of ​​the frame, focus-picking (highlighting contrasting transitions with color) and Digital Split Image. The last option is the most interesting from the point of view of convenience and speed of manual focusing, while phase-detection AF sensors integrated into the matrix are used.

In addition, Fujifilm cameras allow you to specify the focal length of the non-autofocus lens attached to the camera in the menu. This does not affect the shooting process, but the specified focal length is recorded in EXIF, which allows you to later understand with which lens this or that frame was taken.

Image quality is very simple: the X-T1 uses the familiar 16-megapixel X-Trans II sensor with integrated phase-detection autofocus sensors. Therefore, it comes as no surprise that the image quality of the X-T1 is completely identical to that of the X-E2. In short: the entire sensitivity range (from ISO 200 to 6400) can be considered a working one, especially if you are ready to tinker a little with adjusting the image parameters in the RAW converter.

Noise level when shooting in JPEG ():

Noise level when shooting in RAW (gallery):

I really liked the dynamic range of the camera. Although overexposures are quite easily "knocked out", the well of shadows is unusually deep and allows you to easily restore useful information without significantly increasing the level of noise. So in the case of shooting scenes that are too contrasting, feel free to set the exposure compensation to minus, and then draw out the shadows in a graphics editor.

I would also like to note that the Fujifilm line of lenses continues to be replenished with very interesting items. The camera came to my test with an ultra-wide-angle zoom Fujinon XF 10-24mm f / 4 R OIS and a fast portrait lens Fujinon XF 56mm f / 1.2. Both feature excellent image quality even at open apertures, minimal distortion and virtually no chromatic aberration. In my opinion, the Fujinon 56 / 1.2 is so good that you can change the system for the sake of it (provided, of course, that you are interested in this type of lens).

In general, Fujifilm X-T1 shoots something like this (gallery with full-size files):

Like the previous Fujifilm X series cameras, video recording in the X-T1 is implemented purely for show: both the service functions provided by the camera and the quality of the final result are clearly inferior to any competitors, so if you are interested in video, then this camera is not for you.

In the dry residue

Personally, I really liked the Fujifilm X-T1. The camera is positioned as a top-end camera in the lineup, which is confirmed by an excellent viewfinder, as well as a dust and moisture resistant body. In my opinion, there are only two obvious drawbacks: terrible video mode and a minimum shutter speed of 1/4000 second, which, combined with a minimum sensitivity of ISO 200, seriously limits the ability to control depth of field when shooting in good lighting conditions.

If we compare the X-T1 with the X-E2, then the former offers a number of minor improvements: a flip-up screen, a higher magnification viewfinder, slightly more controls, dust and moisture protection. In terms of photo quality and electronics, these cameras are completely identical. At the same time, the difference in cost between the X-T1 and X-E2 kit kits (both with an 18-55 mm f / 2.8-4 lens) is about 8 thousand hryvnia. Whether the changes listed above are worth such a price difference is up to you.

5 reasons to buy Fujifilm X-T1

• excellent photo quality, including at high ISO
• folding screen
• dust and moisture protection
• best-in-class viewfinder
• stylish appearance

1 reason not to buy the Fujifilm X-T1

• mediocre video recording quality

Many people buy Fujifilm X-series mirrorless cameras for more than just nostalgia. This manufacturer has established itself very well in the system camera market with excellent cameras that have won numerous awards and praise from leading reviewers.

Fujifilm X-T1 won the Gold Award from dpreview.com and the TIPA Awards in 2014. This camera is equipped with a very wide arsenal of advanced features that put it in an advantageous position compared to other DSLRs and mirrorless cameras in its price range.

The Fujifilm X-T1 offers features that will delight many photographers. Below we take a closer look at this camera and compare it with the X-E2 and the Olympus OM-D E-M1.

Fujifilm X-T1

The X-T1 is the most expensive mirrorless camera in Fujifilm's X-series (excluding fixed-lens cameras such as the X100S), which costs about $ 300 more than the X-Pro 1. But the price tag is justified by the specs.

Fujifilm X-T1 is built to the highest standards. The camera is distinguished by exceptional build quality, magnesium alloy body, protection from moisture, dust and low temperatures down to -10 ° C. It competes adequately with the E-M1 and X-T1 models.

The X-T1 features classic retro styling and a variety of analogue controls. There are three dials on the top panel: for exposure compensation, for shutter speed and ISO sensitivity. There are six programmable function keys, a metering dial below the shutter speed dial, exposure lock and autofocus (AE-L / AF-L) buttons.

Fujifilm X-T1 top view

Physical controls offer quick access to popular settings even when the camera is off.

Of course, the X-T1 was created for serious photographers who understand the usefulness of having a variety of buttons and dials for quick camera operation, which is important for capturing a good shot.

The X-T1 is very compact. It's larger than the X-E1, but noticeably smaller and thinner than entry-level DSLRs like the Nikon D3300. The developers have provided good spacing in the arrangement of the controls, so the thumb rests comfortably, but the camera lacks the grip of the E-M1. However, users have the option to purchase Fujifilm's MHG-Xt Vertical Battery Grip (Large and Small) for the X-T1, which provides a comfortable grip and stabilizes shooting, duplicates camera controls and has the same weather protection as the body. cameras.

On the back of the camera you will find a relatively very large (0.77x) and bright "multi-mode electronic viewfinder" with a display lag of 0.005 seconds (fastest in the world according to Fujifilm). Its resolution is 2360K dots, uses an OLED panel and offers 100% coverage. The manufacturer has also redesigned the viewfinder user interface to improve the quality of shooting. Thus, you get near real-time display of the scene with gorgeous vivid colors, which is especially valuable for advanced photographers.

At the heart of the X-T1 is a large 16-megapixel X-Trans CMOS II sensor in APS-C format. This sensor uses Fujifilm's well-proven innovative color filters that improve image quality by reducing moiré and color aberration. With it, there is virtually no need for an optical low-pass filter, which allows the camera to obtain images with increased detail.

The X-T1 also uses Lens Modulation Optimizer technology, which is applicable to every XF lens. Using data from the lens, sensor and image, the camera takes care of obtaining the highest image quality for a specific shot with specific lens and camera parameters. In the end, you will end up with a frame that has fewer optical aberrations and retains more detail.

Other features include: 3-inch tilting LCD display with 1,040k dots, 8fps burst speed, remote shooting via a dedicated smartphone app and built-in Wi-Fi in the X-T1, Full HD 1080p60 video recording, autofocus speed 0.08 sec., maximum sensitivity ISO 51200 units, EXR II processor (0.5 sec. start time, 0.5 sec. shooting interval, 0.05 sec. shutter lag), single-frame shooting function (timer with an interval from 1 sec. to 24 hours and up to 999 frames), Film Simulation, Auto Bracketing for White Balance, HDR, Film Simulation, AE and ISO.

Among the main advantages of this mirrorless camera, of course, remains the possibility of using high quality interchangeable lenses from Fujifilm. Although the price is quite high, for example, the XF 18mm f / 2.0 lens costs about $ 500, the 35mm f / 1.4 is sold for $ 600, the 55-200mm f / 3.5-4.8 XF will cost about $ 700.Even 18 -55mm with f / 2.8-4 aperture costs about $ 700. This fact should be considered before buying a camera.

Many people like the X-T1's analog control, which allows you to change settings even when the camera is not turned on. This way you can quickly prepare the camera for the next shot.

The X-T1 is a fairly expensive camera, but advanced photographers will appreciate its additional features. It looks like a decent replacement for a DSLR, although we haven't compared it to the flagship E-M1 yet.

Fujifilm X-E2

The Fujifilm X-E2 mirrorless camera was released on October 18, 2013. It is priced lower than the X-T1, but is packed with a wide range of additional features that will satisfy the needs of many enthusiastic photographers. The X-E2, like the X-T1, has received positive reviews from many highly rated reviewers.

The X-E2 is designed in a classic style. The body is made of plastic, the top and base plates are cast magnesium alloy, the finish is textured leatherette, the discs on the top are made of metal. All of this gives the X-E2 a unique retro look that many photographers will love.

Unlike the X-T1, which is replete with many buttons and dials, the X-E2 has fewer physical controls. However, there is a dial for adjusting the shutter speed and a dial for exposure compensation, as well as four customizable function buttons.

The camera was equipped with an X-Trans CMOS II sensor and an EXR II processor. The sensor's unique color array eliminates the need for an anti-aliasing filter to achieve greater image detail and resolution. The X-E2 uses the same Lens Modulation Optimizer technology as the X-T1 for additional optimization depending on the type of lens used and its settings.

On the back you will find an OLED electronic viewfinder with a resolution of 2360K dots with a playback delay of 0.005 sec. It provides an excellent, clear view of the scene without distortion. With it, it is easier to compose a frame both in the daytime and at night. Unlike the X-T1, where the viewfinder is centered and has a large bulge at the top of the camera, in the X-E2 it is on the left side and does not affect the size of the body. This viewfinder provides a wide 24-degree horizontal field of view and a flexible diopter adjustment range of -4m-1 - + 2m-1.

The X-E2 also features a hybrid autofocus system with a speed of 0.08 sec. (as in the X-T1) with phase detection pixels embedded in the matrix, which allows the camera to take advantage of both types of autofocus. The camera can even automatically switch between them depending on the scene being filmed.

Video from Digital Camera World.

The launch time of the X-E2 is also 0.5 sec., The shooting interval is 0.5 sec. and a shutter lag of 0.05 sec., as in the X-T1. Other Features: 7fps Continuous Shooting, Motion Panorama, In-Camera RAW Converter, Multiple Exposure Mode, Auto Bracketing Mode (for Exposure, Film Simulation, HDR, ISO), Wireless File Transfer with Built-in Wi-Fi ( up to 30 photos can be sent at a time), auto geotagging images by extracting location data from a smartphone with the "Fujifilm Camera Application" installed. The X-E2 also features a Film Simulation mode, Full HD 108p60 / 30 video recording, and a microphone input for connecting an external stereo microphone to improve sound quality.

The Fujifilm X-E2 has been designed to appeal to a wide audience of enthusiastic photographers who appreciate and enjoy the advanced features and versatility of such a camera. While some might be interested in the more affordable option in the form of the Fujifilm X-A1 camera, which is much cheaper and lacks an optical viewfinder, it offers many features and manual controls. It has high ISO performance and excellent image quality in its class. And the saved budget can be invested in an additional lens.

Olympus OM-D E-M1

The OM-D E-M1 is Olympus' flagship mirrorless camera in the Micro 4: 3 (Micro Four Thirds System) series. It was developed using a full range of cutting-edge technologies to give photographers maximum creative freedom.

The Olympus E-5 is a professional digital SLR camera released back in September 2010. The manufacturer launched its Micro Four Thirds system with Panasonic two years earlier. Since then, Olympus has focused all efforts and resources on improving the MFT series, shrinking the DSLR market in favor of mirrorless cameras. The absence of a reflective mirror has allowed for a smaller and thinner camera body and smaller lenses, which has contributed to the growing popularity of new products among amateur photographers.

With all its resources focused on the development of interchangeable lens mirrorless cameras, Olympus is challenged to create a new versatile flagship model that can attract professional photographers.

Comparison of Olympus E-5 and E-M1 sizes

If you compare the E-5 and the E-M1, you will immediately understand what makes the MFT system so unique and visually appealing. Of course, some photographers prefer to shoot with a reliable, large and ergonomic DSLR. Especially for this category of users, it is possible to attach the HLD-7 battery grip to the E-M1.

Build quality

The OM-D E-M1 housing is made of magnesium alloy with protection from dust, splashes and low temperatures down to -10 ° C, plus an ultrasonic wave filter SSWF (Super Sonic Wave Filter) to protect the sensor from dust and other unwanted hits. Thus, the camera is designed for reliable and safe outdoor photography.

You will be convinced of the reliability of the weather seal by watching the video below, immediately go to 5 minutes. 20 sec .:

As you can see, pouring rain is not terrible for him, but this camera still does not belong to the waterproof class, so do not use the OM-D E-M1 underwater.

The developers of the Olympus OM-D E-M1 system camera have taken care of all the necessary keys to provide quick access to frequently used camera settings, so there is no need to configure them via the LCD.

Dual autofocus system

The E-M1 is equipped with a new 16-megapixel Live MOS sensor and a Dual fast AF system that takes advantage of contrast and phase focusing when used with Micro Four Thirds lenses. When you attach Four Thirds lenses via an adapter, the camera detects them automatically and only switches to phase-detection AF.

The autofocus system in the E-M1 uses 81 points for contrast AF and 37 points for phase detection to ensure fast and accurate focusing that professional photographers especially appreciate. The OM-D E-M1 also features a variety of AF modes, including Face Detection and Eye Detection, Super Spot AF, which is great for macro photography, and Small AF, which reduces the size of the AF target to focus more accurately.

Advanced electronic viewfinder

On the back you'll find a large 0.74x (35mm equiv.) EVF with 2,360,000 dots resolution and 0.029 sec time lag that uses Olympus Adaptive Brightness technology to deliver vibrant, lifelike colors. The viewing experience is almost like an optical viewfinder. Another interesting feature is the Color Creator function, which allows you to use the two dials on the top of the camera to change the hue and saturation of an image. Moreover, changes can be made while viewing through the electronic viewfinder.

5-axis in-body image stabilization

This is one of the most useful functions. The E-M1 comes with the well-proven 5-axis OIS built into the body. It handles motion blur by compensating for camera movement in 5 axes, including wobble, tilt, horizontal shift, vertical offset, and rotation around the optical axis. Stabilization is provided in 4 steps of compensation, which means that if you shoot a photo at 1/250 sec to get a clear image, you can set the shutter speed for the same scene to 1/15 sec. and still get a sharp image.

Video: Steve Huff

The Olympus OM-D E-M1 has won many prestigious awards and highly acclaimed reviews from leading reviewers. It was made for serious photographers, but hardly for videographers. Key benefits include a robust, durable body, high autofocus performance, attractive retro design, superb image quality, large, bright viewfinder, and many on-board customizable options.

At the time of this writing, the OM-D E-M1 costs around $ 1,300 for the body alone, roughly the same as the X-T1 (body only), so many photographers hesitate between the two. On the one hand, we have Olympus' flagship Micro Four Thirds series and a lot of lenses to choose from. On the other hand, the premium X-T1 camera, which comes with a unique Fujifilm sensor, wide range of controls, attractive specs, and compatibility with a fleet of high-quality X-mount lenses.

Comparison table with characteristics of cameras Fujifilm X-T1, Fujifilm X-E2 and Olympus OM-D E-M1

	Fujifilm X-T1	Fujifilm X-E2	Olympus OM-D E-M1
Release date	January 28, 2014	October 18, 2013	September 10, 2013
Body material	magnesium alloy, aluminum	high quality plastic, magnesium alloy top and bottom plates, metal rims	magnesium alloy
Weather seal		no weather seal	protection against dust, splashes and low temperatures down to -10 ° C
Sensor	16.3 megapixels APS-C (23.6x15.6mm) X-Trans CMOS II without low pass filter	16.3 megapixels APS-C (23.6x15.6mm) X-Trans CMOS II ultrasonic vibration for dust removal without low pass filter	16.3 megapixels Micro Four Thirds (17.3x13.0mm) ultrasonic wave filter (SSWF) without low pass filter
Autofocus system	Hybrid Intelligent AF (49-point contrast, 9-point phase detection)	Hybrid Intelligent AF (49-point contrast, 9-point phase detection)	fast dual autofocus (contrast at 81 points, phase at 37 points) with Micro Four Thirds Lenses - Hybrid Focus with Four Thirds lenses - phase only
CPU	EXR II	EXR II	TruePic VII
ISO range	200 - 6400 (RAW) 100 - 51200 (JPEG)	200 - 6400	100 - 25600
Built-in image stabilization	No	No	5-axis optical image stabilization in the body
RAW	yes (14 bit)	yes (14 bit)	yes (14 bit)
Autofocus illuminator	there is	there is	there is
LCD screen	3-inch, 1,040k-dot, tilting (90º up, 45º down) not touch	3-inch, 1,040k-dot, fixed not touch	3-inch with 1,037k resolution dots, oblique (80º up, 50º down) sensory
Viewfinder	electronic, 2.36 million pixels, 100% coverage, magnification, 0.77x	electronic, 2.36 million pixels, 100% coverage, magnification 0.60x-064x	electronic, 2.36 million pixels, 100% coverage, magnification 0.74x
Shutter speed	30-1 / 4000 sec.	30-1 / 4000 sec.	60-1 / 8000 sec.
Built-in flash	no (miniature external flash included)	there is	no (small external flash included)
Connecting an external flash	through hot shoe	through hot shoe	through hot shoe
Flash sync speed	1/180 sec.	1/180 sec.	1/320 sec.
Continuous shooting speed	8 fps	7 fps	10 fps (C-AF + Tr)
Exposure compensation	± 3 frames (in 1 / 3EV steps)	± 3 frames (in 1 / 3EV steps)	± 5 frames (1 / 3EV, 1 / 2EV, 1EV steps)
Exposure Bracketing	± 1 / 3EV, ± 2 / 3EV, ± 1EV	± 1 / 3EV, ± 2 / 3EV, ± 1EV	± 2 (2, 3, 5, 7 frames in 1 / 3EV, 2 / 3EV, 1EV steps)
White balance bracketing	there is	No	there is
Film Simulation Bracketing	there is	there is	No
HDR bracketing	there is	there is	there is
ISO bracketing	there is	there is	there is
Flash bracketing	No	No	there is
Art filter bracketing	No	No	there is
Video recording (maximum resolution)	1080p60 (progressive) up to 14 minutes stereo microphone	1080p60 (progressive) up to 14 minutes stereo microphone	up to 29 minutes stereo microphone wind noise reduction
Microphone input	there is	there is	there is
Headphone port	No	No	No
Wireless communication	built-in wifi	built-in wifi	built-in wifi
Battery Endurance (CIPA)	350 shots	350 shots	350 shots
Dimensions (edit)	129 x 90 x 47 mm	129 x 35 x 77 mm	130 x 94 x 63 mm
Weight	440 g	350 g	497 g

ISO performance comparison

The analysis is based on the study of samples of images from the resource.

When comparing the X-T1 and X-E2, the ISO performance is excellent. Surprisingly clean images at ISO 3200. However, the X-E2 produces slightly cleaner images overall. Thus, the difference is noticeable, but only when viewing the image at 100% scale, otherwise it is difficult to see. This does not mean that the X-T1 has poor performance. Both cameras performed very well with a slight edge in favor of the X-E2.

When comparing the X-E2 and the OM-D E-M1, we see that the E-M1 produces more natural colors, but the images are slightly noisier when going to ISO 3200 and above. The OM-D E-M1 with its smaller Micro Four Thirds sensor just doesn't keep up with the X-E2. However, you will be surprised at how high the performance of this MFT sensor is.

The leader is the X-E2 with the best high ISO performance.

Examples of videos shot with three cameras

Video captured with Fujifilm X-T1 from DPReview:

Video captured with Fujifilm X-E2 from DPReview:

Video captured with Olympus OM-D E-M1 from imagingresource:

conclusions

This is not an easy choice. Each camera has strengths and weaknesses.

The X-T1 is mostly criticized for its button size and placement, weak video mode with relatively lagging image quality. But this camera boasts excellent build quality and weather seal, excellent viewfinder, very good image quality and high ISO performance, fast and accurate autofocus, quiet operation, high burst speed, built-in Wi-Fi, and compatibility with a wide selection of high quality lenses.

The differences between the X-E2 and X-T1 are pretty obvious: no weather seal, poorer build quality, fixed LCD, smaller viewfinder, slower burst speed, and no UHS-II support. On the other hand, the X-E2 is smaller and lighter, has a pop-up flash, superior ISO performance, and is less expensive. For many users, the X-E2 can be the ideal mirrorless camera for around $ 940 versus $ 1,300. for X-T1.

Differences between Olympus OM-D E-M1 and X-T1: The E-M1 features a higher resolution LCD touch screen, faster maximum shutter speed, faster burst speed, more AF points, built-in image stabilization, more advanced movie recording functions, faster flash sync speed and a wider range of interchangeable lenses.

On the downside, the E-M1 lags behind in high ISO performance analysis, has a smaller and less flexible viewfinder, lacks UHS-II compatibility, and has a smaller sensor. The cost of the E-M1 and X-T1 is about the same.

Many users will be attracted by the design and build quality of the E-M1, as well as the most useful 5-axis image stabilization. The optics fleet is also much more diverse and you can find quality, but inexpensive Micro Four Thirds lenses (X-series optics are exclusively in the expensive price range). Although the X-T1 offers high image quality, a large viewfinder, unique design and many built-in features.

If your budget is tight, the X-E2 is a great choice. Alternatively, you may want to consider purchasing a second lens. Consider buying the more expensive Fujifilm X-T1 camera if you have available funds.

As you probably know, a couple of months ago I ditched DSLRs entirely. I don't know if it's temporary or not, but currently I'm shooting exclusively with mirrorless digital compacts. Also, you probably know that after trying all the major manufacturers of such cameras (which, of course, only and only Fujifilm, Sony and Olympus belong to which), I opted for Fujifilm. Their top model X-Pro1 has been serving me for a couple of years now, and on my recent trip to the Arctic I had a chance to test a fresh Fujifilm X-T1... As promised, I share my impressions. Traditionally, I want to note that this is by no means a review based on test results, but purely personal, purely subjective impressions of the camera. I should also note that along with the new camera model I got my hands on the first copy of the new lens. Fujifilm XF 18-135 mm f / 3.5-5.6, therefore, the impressions will be described in relation to this pair.

So, it is one thing to walk around the city with a compact camera, and quite another to take it as the main one in expeditionary conditions. There is a certain risk in this, because and such cameras are less protected, work slower, batteries run out faster, and much more on trifles. However, I still decided to rely on the X-T1, and for the purity of the experiment I did not take any other camera with me at all, that is, absolutely. Well, apart from a couple of iPhones, of course.

Previously, I have repeatedly been in polar conditions in winter, so it was not scary to travel in summer. As it turned out in vain! For mosquitoes, mosquitoes and gadflies, as you know, can even lift the carcass of a deer into the air, let alone some Moscow photographer ... However, the choice of the carcass that I took with me would still not have affected. Already set in conditions, so set. And so that everything is real, garlic. It will survive, it means it will survive, no, it means no. And if he survives, then I want to understand whether it is convenient to use such a camera for all occasions or not. Well, or at least just - maybe or not.

Running a little ahead, I will immediately answer this question - yes, it is possible! Convenient or not, it will already depend on the creative tasks and style of work, but personally, it turned out to be quite convenient for me. However, there are several nuances that make sense to pay attention to.

Batteries

Realizing well that power is a weak point in the expedition, even in the case of large DSLRs, I took 5 batteries with me. 2 of them are a working kit (one in the camera, the other in the battery pack), and 3 are spare. In fact, spare ones were never useful to me, however, I did not have trips to the tundra for more than 2 days. Each battery, depending on the style of shooting, allows you to take about 400-700 frames, for me personally this is more than enough. In general, heels of quite compact (in comparison, for example, with Canon 1Dx) batteries, completely solve the problem of charging.

Battery pack

An ambiguous accessory. On the one hand, it makes the grip very comfortable (after that you don't even want to hold the camera without a block) and gives additional opportunities in terms of batteries. On the other hand, with such a unit, the camera becomes not much smaller than a DSLR.

Although, still less. And less not only in the physical size of the kit, but also in the size of the batteries, as well as the charger (charging for top-end DSLRs is half a suitcase). But for the convenience of the grip, a certain volume is still needed, and purely tactilely this can hardly be avoided. From this point of view, Fujik's dimensions seem to me close to optimal. It will be even less comfortable to hold, and more - to bring us closer to the DSLRs. Although, perhaps, 20-30 percent less could still be done.

Swivel screen

About happiness! Finally Fuji caught up with Olympus and Sonya in this matter. The screen of all modern cameras must be rotatable, period. Not even discussed.

Work speed

Anyone interested in digital compacts knows that speed is their biggest sore point. And no matter what breakthroughs Olympus makes here, all the same, in our time, all these cameras do not work as smartly as we would like. In this regard, the X-T1 is very pleased. Yes, this is not a DSLR yet, but this is another confident step in the right direction! Subjectively, the speed of work relative to the X-Pro1 is felt faster by 20-30%. This is due, among other things, to the new processor.

In general, the speed of digital compacts is made up of several criteria. Often, when buying such a camera and encountering a feeling of a "brake", people do not understand what is actually the reason for the low speed efficiency. There are several main factors here:

1) Focus speed.

Actually, this is the main criterion for the operation of the camera itself. The focusing speed, in turn, depends on the technological solutions of a particular camera, its brain filling and power, illumination and, of course, on the lens.

2) Flash card speed.

A very important and highly underestimated factor. In short, without the most modern, fastest card, you don't even have to start working with digital compacts. And such cards are very expensive. For example, I bought my ADATA 64 Gb XC I Class 10 a year and a half ago for $ 200. And it was after this purchase that I suddenly realized that in fact everything is much faster than it seemed at first. Now there are probably more modern and faster maps.

3) Shooting speed (after focusing).

The X-T1 delivers 8 frames per second! And this is, to put it mildly, at the level of DSLRs.

In general, the combination of three factors, the impressions of the X-T1 remained extremely positive. Yes, this is not a DSLR yet, but it is already very close to that. And if you consider that for my tasks, in general, the X-Pro1 is quite enough, then the X-T1 is just a gift.

ISO and noise

Honestly, I have not experienced problems with noise at high ISO for a long time. Modern cameras do this job well. For my personal taste, the worst of all are Sony and Olympus, which have “colored peas” instead of pictures on high ISO. Best of all are Canon and Fujifilm, which give a much more plastic image, which can then also be overclocked during conversion and bend with curves in processing.

For example, this photo was taken at ISO 6400 and then overclocked by +5 stops when converting.

ISO 6400, 1/370 sec, f / 3.5

An enlarged fragment at 100% scale (hereinafter, no sharp is applied on all presented crops):

ISO 6400, 1/370 sec, f / 3.5

Well, yes, noisy (and as you would like on such an ISO and with such overclocking), but at the same time it is a human picture with a tolerable level of detail. Such a picture may well be printed on a large format, published in a book, etc.

And this is how ISO 200 looks in the sun. Absolutely human, plastic, lively picture. By the way, did you find a mosquito?

ISO 200, 1/350 sec, f / 8.0

An enlarged fragment at 100% scale:

ISO 200, 1/350 sec, f / 8.0

Fujifilm XF 18-135mm Lens

And here we smoothly approach the fly in the ointment. Surely, looking at the previous photo, many of you have already wondered - what for for such a scene was ISO 6400? There is enough light.

Quite, but not quite ... Honestly, I am so used to working with high-aperture lenses that I did not even pay attention to the maximum open aperture of the universal 18-135, which is f / 3.5-5.6. In this case, I was shooting at a wide angle, so the aperture of the camera was set to 3.5.

A small lyrical digression. Having extensive experience in shooting in manual modes, manual sharpness and generally working with fixes, I nevertheless long ago came to work exclusively in automatic modes. It somehow did not occur to me that there might not be enough light, despite the fact that there is clearly enough light.

What is f / 3.5 versus, say, f / 2.8 for an 18-55 lens? This is practically 1 stop of exposure, that is, when shooting at 18-55 ISO, it would no longer be more than 3200. And in the case of a 35mm fix with an aperture of f / 1.4, the ISO would already be 3 stops less, that is, 800. And this is a huge one. difference.

I also did not have enough aperture to shoot this shot taken from a helicopter.

ISO 200, 1/100 sec, f / 5.0

I shot as vertically down as possible with zooming in. The camera produced ISO 200, an aperture of f / 5.0 and a shutter speed of 1 / 100sec. For a focal length of about 80 mm, this is already on the verge, and given the vibrations of the helicopter, it is clearly not enough. As a result, all the photos turned out to be a little blurry. Here is a 100% snippet:

ISO 200, 1/100 sec, f / 5.0

Let's be honest to the end - I screwed up myself. Of course, you could go into manual control and raise the ISO. Then photos of the tundra from a helicopter would be useful not only for the Internet, but also for some kind of exhibition (I was already offered, I was forced to refuse precisely because of technical imperfection). But it never occurred to me that lenses are so dark.

By the way, this lens has a very decent stabilizer. It actually works very well, but ... as it turned out, not in vibration conditions. In ordinary life, the stabilizer really significantly neutralizes the lack of aperture. This can be seen in the example of this shot, taken with a maximum zoom of 135 mm at a shutter speed of 1/320. Everything would be fine, but an important point - with a boat swaying on strong waves!

ISO 200, 1/320 sec, f / 5.6

100% crop:

ISO 200, 1/320 sec, f / 5.6

Summary - Fujifilm XF 18-135mm should be used with great care, and primarily for scenes with good lighting. If there is enough light, glass gives a very nice result, pattern, bokeh and whatever. Barrels are minimum, vignetting is pleasant. Everything is fine, but only in the sun. As soon as we enter the room, we need to attach something like 35 mm f / 1.4 or on the extreme 18-55 f / 2.8-4.0. Well, in conditions of vibration, manually control the love.

What else can I say about this camera.

Ergonomics

Anton Martynov wrote in his Fujifilm X-T1 review that the camera has ergonomic flaws. I partially agree with this opinion - indeed, after the X-Pro1 it is not always possible to immediately find the buttons on the rear panel. Maybe it's a matter of habit, I don't know.

On the other hand, in this chamber, Fuji honed their wheels to near perfection. Now they are in their places, do not spin spontaneously, and in general all key parameters (shutter speed, aperture, ISO, shooting and focusing modes) are controlled mechanically (and not from the menu or software). I am delighted!

Viewfinder

The viewfinder that is optical is actually digital. Works great, fast, no lags. But lately I've been mainly working on the screen, so for me this is not a matter of principle.

Dust and moisture protection

I don’t know how protected the camera is, but I filmed in the rain or in the splashes on the boat, there were no problems. Everything works, there are no failures.

The camera also has other perks, like Wi-Fi controlled via the iPhone, but for me they are not important (although I tested it - a nice thing).

And finally, a few photos from this expedition, taken with the Fujifilm X-T1 + Fujifilm XF 18-135 mm f / 3.5-5.6 kit. And then - my personal summary conclusion.

ISO 200, 1/350 sec, f / 7.1

ISO 200, 1/150 sec, f / 4.0

ISO 200, 1/125 sec, f / 4.0

ISO 2000, 1/100 sec, f / 3.5

ISO 6400, 1/45 sec, f / 4.2

ISO 200, 1/240 sec, f / 5.6

ISO 6400, 1/34 sec, f / 3.5

ISO 200, 1/140 sec, f / 5.6

ISO 6400, 1/34 sec, f / 3.5

ISO 6400, 1/52 sec, f / 3.6

ISO 200, 1/400 sec, f / 5.6

ISO 200, 1/150 sec, f / 5.6

All photos from this trip can be viewed in previous publications.

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Today will be the most correct test of a good camera. Good, because I periodically filmed with it for almost a month, and no one noticed the substitution. I took her to Prague.

I walked with her in Moscow ...

At this time, my faithful Nikon D4s was lonely sad at home. I cheated on him with the Fujifilm X-T1.

So how do you properly test your camera? All professional tests come down to the analysis of technical characteristics, various shooting modes and praising lenses. If you are not a professional photographer, then most of this information is completely useless for you. I always shoot in semi-automatic mode and am very pleased. None of the tests cover the most important characteristics of the camera.

I have compiled a list of the most important characteristics by which all cameras should be tested.

1. Ability to shoot a black cat in a dark room
2. Resistance to children's curiosity
3. Attracting the attention of the opposite sex
4. The place that the camera takes in the suitcase
5. Convenience for the mushroom picker

All other characteristics are secondary. Let's admit to ourselves that if your hands grow out of your ass, then no camera will help you, and if you have talent, then you will shoot well with a matchbox.

So let's start the Fujifilm X-T1 test.

For the first test, I took the cat Martha. Of course, Martha is not entirely black, but she is a cat. Launch Martha into a dark room, set all settings to the automatic machine and ...

Great ... Shot 23mm with 1.4 aperture. Are you surprised? Yes, there are many interchangeable lenses for Fujifilm X-T1, including fast ones.

Interchangeable high-aperture lenses allow you to safely shoot at night outdoors without a tripod and flash, which is useful when traveling.

Now let's give the camera to the child.

As you can see, the X-T1 has a lot of customization options. Everyone can make a camera unique.

The main thing is to stop in time….

Although, if you give free rein to the child, then sooner or later he will discover the undocumented possibilities of the camera. I wrote a separate post about the effect with a smiley face in more detail.

The X-T1 withstood all the tests and continued to work, no matter what! Neither the sandbox nor the ant farm could disrupt the camera. Unfortunately, I cannot show you any more pictures of the tests as a kid, as the guys from Fuji will no longer give me a camera.

So, the most important characteristic is to attract the attention of the opposite sex. In my case, we will be testing the X-T1 on girls. Most people would be satisfied with a smartphone in conjunction with Instagram, but we buy expensive professional cameras. What for? We can afford it. Why deny yourself the pleasure of having a good camera? And what are the envious glances of friends and colleagues ... Now you can safely go into the smoking room and shock everyone with the number of megapixels and the size of the memory card.

Everyone loves the X-T1. The camera looks really cool. Not like any soap dish, but like an expensive serious camera. Look at her:

All these wheels with numbers, levers, buttons - they won't do this on a bad camera.

Taking Fujifilm X-T1 in hands, in the eyes of others you immediately turn into a serious photographer, men look at you with respect, women - with admiration. Ludka from the supply clothes will no longer turn up her nose and scoff at the fact that you come to work by subway. With such a camera, you can even come to work on a minibus and say mysteriously: “Yes, on a minibus, I'm looking for images there for my work!”. With a camera like this, you can have dirty shoes and a puff sweater because you are a true artist.

And now about the compactness. I considered the Fujifilm X-T1 as a travel replacement for my Nikon d4s. Moreover, this is not a compromise, but a complete replacement. The X-T1 comes with a wide range of interchangeable lenses for all occasions. Here there are portraits, and shirik, and zoom. Everything you need on your trip. Just 3-4 times less than I have now

At some point, I realized that I have only one neck, and I need to take care of it. So if I am traveling light, now I throw it into the X-T1 backpack.

Well, the last test is the convenience of the camera for the mushroom picker. Why a mushroom picker? You take your camera to the forest and it has no room for error. In addition, in the forest or on a hike, every gram counts. Unlike a traveler, a mushroom picker does not have the opportunity to take a break in a cafe, take a taxi, or hire a Sherpa to carry a basket of mushrooms and a camera. A one-on-one mushroom picker with mushrooms and a camera.

So, I took a shirik into the forest to shoot forest landscapes. In my case, it is 10-24 mm on a cropped matrix. What it is? These are the pictures. There is nowhere to turn in the forest, so a wide angle is important.

Of course, I don't have enough talent for landscape photography, but if your hands grow out of the right place, shoot a masterpiece

Even at dusk in a deep forest, the camera will not let the mushroom picker down!

Now, actually, mushrooms

For mushrooms, I took 56mm with 1.2 aperture.

A great lens for shooting mushroom portraits! In addition, the camera has the ability to upload pictures via Wi-Fi directly to your phone and send your mushroom to Instagram!

So, thanks to the readers, I learned that this is a boletus and you can safely take it. For a mushroom picker, the ability to immediately transfer photos to your phone is very useful! Don't carry your laptop with you, right?

Having spent half a day in the forest with the Fujifilm X-T1, I can say that the camera behaves perfectly. By weight, it is like 2 porcini mushrooms, but there is much more benefit. Is it possible to remove a squirrel or a Christmas tree on a porcini mushroom? No. And on Fuji - you can.

After the forest, we make several portraits of our beloved grandmother

A good test should end up with pros and cons.

Minuses, which I found in 2 weeks of operation:

The battery runs out quickly, you have to carry spare batteries. But this is compared to my Nikon D4es. Fuji's class competitors are even worse. Fujifilm X-T1 350 shots / Olympus E-M1 300-350 shots / Sony Alpha A7 340 shots.
- The optical viewfinder is sorely lacking. But again, this is compared to a full-size DSLR. The electronic viewfinder has a number of advantages (you can immediately see the result of the picture, taking into account the exposure, adjusting the parameters, shooting in the dark, the convenience of manual focusing)
- The camera wakes up for a long time, I would like it faster.

pros

Size and weight.
- A large number of interchangeable optics for all occasions.
- Fits very well in the hand
- The screen rotates, convenient when you need to shoot something from ground level, or raise the camera above your head
- All settings are made by physically switching levers and rotating the drums (or what is it called correctly?), No need to dig into the menu. This is actually very convenient. This is sorely lacking in my large cell.
- Many filters that simulate different films. If you are lazy to post-process your photos, then this will save you.

Fujifilm recently introduced its latest X-T1 system camera.

Saturating the market with a number of entry-level and mid-level system non-mirror cameras, the manufacturer again turned towards photographers with professional requirements for equipment. We can say that the first circle of development of system cameras of the "X" series has closed: after all, the first in this series was the X-Pro1 camera, which is unambiguously and still positioned as a top model with professional characteristics.

Each of the previous innovations carried individual improvements, but now the manufacturer has considered it timely to put them all together and invest in a sturdy, well-protected case in order to offer a practically universal photographic tool to the most demanding photographers, including professionals.

Key Features

• 16MP APS-C X-Trans CMOS II
• Dust- and splash-proof housing and increased frost resistance
• ISO 51,200 expandable sensitivity
• High-resolution, high-magnification electronic viewfinder
• Flip-down LCD
• Continuous shooting with continuous AF up to 8 fps
• High performance of all systems
• "Analog" controls for basic parameters
• Six programmable function buttons
• Battery grip (optional accessory)

X-T1 Specifications

Class	Digital non-mirror system camera
The matrix	CMOS, X-Trans II, size 23.6 x 15.6 mm (APS-C), 16.3 MP (4896 x 3264)
Viewfinder	EVI, organic light-emitting diodes (OLED), 2.36 million dots, x0.77 Adjustable by sight
Photo format	JPEG, RAW, RAW + JPEG
Photosensitivity	ISO 200-6400, expandable to 100, 12 800, 25 600, 51 200 ISO
Exposure range	1 / 4000-30 s, free (up to 60 min.), sync speed 1/180 s
Burst shooting	8 fps - JPEG up to 47 frames, RAW or RAW + JPEG up to 23 frames per burst; 3 fps - JPEG to fill the card, RAW up to 100 frames per burst
Focusing	Hybrid TTL autofocus: contrast detection (49 zones) and phase shift detection by the recording matrix; tracking, one-time, continuous; manual with electronic rangefinder
Flash	Includes external EF-X8, HF 11 (for ISO 200) Supports long exposure and 2nd curtain sync; Supports TTL wireless control of external matched flashes
Video	Full HD: 60p / 30p, up to 36Mbps (up to 14 min continuous recording) HD: 60p / 30p (up to 27 min. Continuous recording) MOV format, H.264 codec
Screen	Tiltable, 3-inch, 1.04 million dots
Memory	1 SD / SDHC / SDXC card slot (UHS-II supported)
Communication and interfaces	Wi-Fi, mini HDMI, USB 2.0; external microphone jack
Food	NP-W126 lithium-ion battery
Other	10 modes of imitation of photographic film; 8 creative filters; built-in RAW converter
Dimensions and weight	129 x 89.8 x 46.7 mm 390 g (body only), 440 g (with battery and memory card)
Optional accessories	Overhead handle MHG-XT; battery pack / vertical grip VG-XT1

Appearance

The main external feature of the X-T1 is its form factor, as they say now. If all the other X series cameras are like classic rangefinders, this one looks like a DSLR, although it is not. It is pertinent to recall here that Fujifilm also has its own rich experience in the production of SLR cameras. The first one, Fujica ST701, was released in 1970. True, the development of film DSLRs was discontinued in 1985, but that's another story.

The area occupied by the camera is almost the same as that of the previous new X-E2. And only that part, which in SLR cameras is called a pentaprism casing (well, or pentamirrors) and hides an electronic viewfinder with excellent characteristics, which we will talk about a little below, sharply distinguishes the new product from all other cameras of the "X" series.

The second most important point is the classic, "analog" controls of the main parameters on the top panel. Exposure, exposure compensation, "film advance mode", metering type, light sensitivity are selected by discs that have clear designations. Another useful "analog" switch is located to the bottom right of the mount when viewed from the front. It switches focusing modes: auto continuous, auto one-shot and manual are available.

The same X-E2 and X-T1 as in the photo above.

At the same time, the "analog" controls are organically complemented by two convenient "knobs", front and rear. The back of the X-T1 does not fundamentally differ from other digital cameras, having the usual set of buttons and a push-button analogue of the joypad. The three-megapixel screen tilts down for convenient Live View shooting from both the top and bottom of the camera. By the way, it is protected by tempered glass of special strength.

Internal content

Speaking about the inner content of the new camera, first of all, it should be noted the graphic processor - an electronic brain, which allows the most efficient way to extract the information received by the matrix. Here we have a tandem of second-generation units: X-Trans CMOS II CMOS matrices with proprietary (non-Bayer) color filter pixel distribution and an EXR II processor.

At the same time, as already noted, one of the main features of the new camera is a new electronic viewfinder (EVF) based on an organic light-emitting diode (OLED) display. It has not only a huge resolution (about 2.36 million pixels), thanks to which the image does not look pixel-digital. It is also quite large: with an equivalent magnification factor of × 0.77, it slightly surpasses both the optical viewfinder of the Canon EOS-1DX camera and the excellent EVF of the Olympus OM-D E-M1 quasi-reflex camera (which, as you can see in the picture on the right , slightly different aspect ratio). It is currently the largest large magnification viewfinder among digital cameras, both optical and electronic. In comparison with the good viewfinder of the Fujifilm X-E2 camera, its area has become 1.6 times larger.

Note also that the camera body is molded from a durable and lightweight magnesium alloy and has about 80 sealing points to protect it from dust and moisture. In addition, the X-T1 camera has increased frost resistance; the manufacturer guarantees its reliable operation at temperatures down to –10 ° C.

Optics

The optics are certainly also the strong point of the camera in question. In general, the Fujifilm company has been developing and producing very high quality Fujinon optics for a long time. The company has many excellent lenses under its belt for both small format and very decent medium format cameras. It is no coincidence that the legendary Hasselblad collaborated with Fujifilm in the development and production of optics for its autofocus digital medium format cameras, and a very interesting narrow-field panoramic camera, sold in America and Europe as Hasselblad X-Pan, even received the informal nickname "Fujiblad".

The camera that came to us for testing was equipped with a standard zoom lens. Fujinon XF18-55mm f / 2.8-4 R LM OIS... In 35mm equivalent, its focal length is 27-84mm; this is far from the widest range of focal lengths, but quite sufficient for most everyday shooting tasks. In addition, attention is drawn to itself and, albeit a little, but nevertheless, an increased aperture ratio in comparison with the main competitors' models.

Since you also have Fujifilm equipment in the arsenal of testers working for you, the matter was not limited to one lens. The second workhorse of our tests was the telephoto zoom. Fujinon XF55-200mm f / 3.5-4.8 R LM OIS... Its equivalent focal length is 84-305 mm; thus, both zooms form an almost universal tandem.

Both lenses have effective built-in OIS that lets you shoot confidently handheld, exceeding the traditional maximum shutter speed by a good four stops. If the photographer's hands are firm, you can take risks further, but, preferably, making takes; even with a 5-6-speed excess of the shutter speed, it is quite possible to get a sharp frame, at least one of several.

The existing line of discrete lenses includes seven models, from the Fujinon XF14 (21) mm f / 2.8 R ultra-wide angle to the XF60 (91) mm f / 2.4 R Macro. Of particular note is the ultra-compact XF27 (41) mm f / 2.8 pancake and two extra-fast lenses - the Bresson wide-angle XF23 (35) mm f / 1.4 R and the XF56 (85) mm f / 1.2 portrait lens. R. Zoom also includes the convenient XF10-24 (15-36) mm f / 4 R OIS wide-angle zoom.

It will not be superfluous to recall that Carl Zeiss also produces autofocus optics for this system. Today, three excellent Zeiss Touit samplers are produced with this renowned German brand: 12 (18) mm f / 2.8 ultra-wide angle lens, 32 (48) mm f / 1.8 standard lens and 50 (75) mm f / 2.8 macro telephoto lens. ... Produces optics for Fujifilm cameras and Samyang, known to our readers. In this line-up, photographers will find an 8 (12) mm f / 2.8 fisheye, a 16 (24) mm f / 2 wide-angle and a 300 (450) mm f / 6.3 telephoto mirror lens. Available in X mount and Samyang 24 (36) mm f / 3.5 tilt-shift.

In addition, the range of branded accessories includes an adapter that allows you to put optics for rangefinder Leeks on X cameras.

Three more Fujinon XF zooms of the WR sub-series should appear in the near future - with improved dust and splash protection to match the camera in question. These will be standard and long-focus zooms with a constant aperture of f / 2.8 and an equivalent focal length of 16-55 (24-84) and 50-140 (75-210) mm, as well as a universal superzoom 18-135 (27-203) mm with variable aperture ratio.

A common feature of all these lenses, except for the "pancake", is that they have an electronic aperture ring with a small switch. In position "A" the aperture is set by the camera automatically, and in the opposite position, indicated by the aperture icon, this aperture must be selected manually by rotating the ring. This technique, by the way, fits perfectly with the "analog" control concept of the X-T1 camera.

For the sake of fairness, we recall that in the proprietary lineup there are also two extremely compact budget XC zoom lenses, standard and telephoto. They were designed for the lighter and more compact X-Series cameras and do not have an aperture ring. Of course, you can use them on the new camera (the aperture will be selected by one of the "twists"), but this optics, to be honest, does not seem to us serious enough for the X-T1.

ISO

As we have noted on several occasions, all Fujifilm X-series cameras perform well at high ISO settings. Of course, the new camera is no exception. The standard range of values, conveniently selected by the dial on the top panel, extends from ISO 200 to 6400. There is also one underestimated value (100) and three overestimated ones: 12800, 25600 and 51200 ISO, but in this case shooting is possible only in JPEG.

It was this scene that we decided to use to test the operation of the camera at different sensitivities.

It should be said that designers have not yet learned to deceive physics, and the general rule - the lower the sensitivity, the higher the quality - is also true for the X-T1 camera. However, adjusted for great math and excellent matrix. Up to ISO 1600, noise that builds up primarily in the shadows is perfectly acceptable, and if you plan on shooting RAW and post-processing RAW files, you won't have any noticeable problems. In many cases, even 3200 ISO can be considered quite a working value, especially if it is supposed to use a reduced picture, and not a full 16-megapixel image. And only at 6400 ISO, high sensitivity artifacts become quite noticeable in the shadows, reduce the clarity and color rendition of details. Although not to a critical level, which you can easily see for yourself in our test image.

When you click on the picture in a new window, an assembly of identical fragments of the image captured by the Fujifilm X-T1 camera at all basic ISO values ​​will open.

And only when switching to ultra-high values, the image begins to suffer seriously from digital "sand", which already falls asleep in the light areas of the picture. However, such values ​​of photosensitivity are in any case used by photographers as a kind of foul of the last hope, when the task of taking at least some picture is more important than the task of obtaining an image of high technical quality.

Shooting practice

First of all, I would like to say kind words about the viewfinder. It may well be called a model for a 2014 digital camera. And it's not just a big and clear picture (2.36 megapixel resolution!), Which you can see in it in "full-frame" mode.

The image lag time in it is only 0.005 s according to the manufacturer, and the refresh rate is brought to 54 frames / s. We did not make our measurements, being satisfied with the feeling that this delay is practically absent, and the image does not seem to flicker or jump.

The viewfinder display has several modes of operation. In the "FULL" mode, the picture is displayed at maximum magnification and occupies the entire field of the viewfinder. In "normal" mode, the image is slightly reduced, but the displayed shooting parameters are better visible. The most interesting mode is "DUAL": in this mode, the image in the viewfinder is divided into two zones. One shows the whole frame, and the other shows an enlarged fragment of the image for manual focusing, which provides two special functions: focusing on the exact focus (Focus Peak Highlight) and even a digital wedge (Digital Split Image - a digital analogue of Doden wedges on the focusing screen of a non-autofocus DSLR) ... When shooting in portrait format in full and normal modes, the image and information display are also in vertical orientation.

I will dwell on the manual focus assist modes in more detail. In focus-peaking mode, sharp edges and borders are highlighted with brightness, and the highlight color can be selected. It can be white, red or blue (you can choose two shades for red and blue).

Screen image in Live View; on the left - autofocus, on the right - red "focus-peaking".

The second mode is digital wedges. He has not yet been brought to the ideal, but someone may well like it. The maximally out-of-focus image in the central "wedged" zone is maximally similar to the image of noise on a TV that is not tuned to the signal of the TV transmitter. As it approaches the exact focus, the image acquires the features of this very wedging in four stripes, and at the moment of exact focus the sharpest picture in all four stripes merges into a single whole. In general, it should be admitted that Doden's wedges on the focusing screens of good film DSLRs worked more clearly, but here, given the possibility of increasing the central zone in the entire field (viewfinder or screen) and the presence of a distance scale in the field of view, along which the indicator moves along with the rotation of the focusing ring distance, manual focusing is also not difficult. As they say, not for everybody.

Screen image in wedge mode (normal mode and full screen magnification); on the left - maximum defocusing, on the right - exact focus.

In general, I must say that in this camera, the electronic viewfinder has won a complete and unconditional victory over an arbitrarily high-quality optical one. He found only one minus (more on this in the chapter "Disadvantages").

The autofocus system uses phase shift detection and is impeccably responsive; according to the manufacturer, its response time is 0.08 s, and we agree with this figure. At the same time, it works perfectly in high-speed continuous shooting mode, providing up to eight sharp frames per second. In general, all camera systems are distinguished by enviable nimbleness. Especially when using the latest SDHC UHS II memory cards as storage media. The length of the maximum series of RAW-frames at a low speed of continuous shooting reaches 100 (one hundred) "shots", and at a high speed - twenty-three. At the same time, the filled buffer is emptied in just 9 seconds (with less modern cards, this time can be 15 or more seconds). By the way, when it comes to the maximum length of the series, the number of frames that the camera is capable of shooting at the declared speed is indicated. However, the shooting does not stop, only its regular speed decreases, since the next frames are taken as space in the buffer memory becomes free

The camera sits perfectly in the hands. It seems that the grip is not very large, but in combination with a very ergonomic flow under the thumb of the right hand, it provides a reliable hold with one hand, even if the camera is equipped with a relatively large long-focus zoom. This, incidentally, distinguishes the X-T1 model from more compact and lighter cameras in the series. At the same time, ergonomics can be further increased by screwing the bracket with the MHG-XT grip handle to the tripod nut (its undoubted advantage is that it does not block access to the battery compartment) or by acting in a completely professional manner: by placing the VG-XT1 vertical grip on the camera, which is also a battery pack.

The "analog" concept for controlling the main parameters is quite convenient. In this case, the photographer is not obliged to obey the necessity, for example, setting only the shutter speed values ​​fixed on the disk; the front "rotary" dial allows not only to switch shutter speeds in 1/3 stop increments, but also to select long exposures when the shutter speed dial is in the “T” position.

The VIEWMODE button on the side of the "prism housing" controls the type of sight. With its help, you can forcibly switch the camera from the screen to the viewfinder (usually this is done by a sensor that automatically turns off the screen and turns on the viewfinder when the camera approaches the eye). Or you can set the "viewfinder with sensor" mode; then the camera will not include Live View on the screen when you move the camera away from your eyes; instead, the sensor will simply turn off the viewfinder to save power.

For greater ease of use, you can customize the functionality of as many as six buttons at your discretion. One of them is located in front, it is convenient to press on it with the middle finger of your right hand. The second is located between the shutter speed dial and exposure compensation dial. The functionality of all four buttons is also configured, forming a kind of joypad. By the way, they do not even have any additional designations. These buttons can be assigned functions such as aperture repeater, macro mode, image quality or size, dynamic range, film simulation, focusing area and about the same number of other options. Moreover, for example, if the same function for selecting the focusing zone is assigned to all four buttons of the joypad, the joypad will become a convenient tool for moving the active zone around the frame at any time, without having to enter a special zone selection mode. In addition, it is possible to switch between the functions of the front and rear rotary discs.

The camera supports remote control from smartphones and tablets thanks to wireless connectivity and the free Fujifilm Camera Remote app. From a portable gadget, you can select the desired film simulation mode, control autofocus, white balance, flash, shutter release and other functions. Wi-Fi support also provides the ability to back up data to a laptop.

The camera does not have a built-in flash, but the kit includes a miniature EF-X8 external flash that mounts into a shoe and supports all modern flash functions. Considering that the shoe is installed at the top of the pseudo-casing of the prism, and the flash itself in the working position rises additionally, the lens mounted on the camera does not block the flash light even at minimal shooting distances. At the same time, on the front panel of the camera there is also a usual PC-sync contact, with the help of which the camera can be docked with studio impulse devices.

Of the interesting functions, it is worth noting the presence of a built-in timer for time-lapse shooting. You can select the interval between frames in the range from one second to 24 hours and set the delay before the program starts from one minute and also up to a day. The only thing missing is a special program for automatically gluing individual frames into a single video, but it's not bad even without it.

Flaws

During the first week of vigorous use, some flaws, of course, surfaced. I hope you understand at the same time that there are no cameras without flaws, especially if they end up in the hands of professional professional critics 🙂

I would like to note a feature traditional for Fujifilm X cameras: the exposure compensation input dial located on the top right panel is not fixed in any way, even if only in the zero position. If you take the camera out of the wardrobe trunk to take a snapshot, it is possible that you will inadvertently move this disc and not immediately notice the corresponding indication. If you are experienced with X-Series cameras, this will not come as a surprise. True, here, to rotate this disk, more effort is required than on other cameras in the series, precisely to prevent accidental switching. However, because of this, not every user will be able to rotate it with one movement of the thumb of his right hand, without taking the camera off the viewfinder; you will most likely have to use two fingers.

The situation with the exposure compensation input disk seems all the more strange because in the neighborhood we have two whole disks on which the problem of fixing the value is solved in different ways: all values ​​are fixed on the sensitivity dial, and only position “A” on the shutter speed dial; to unlock in all cases, you need to press the central button. It is not clear what prevents to do the same for exposure compensation.

I would like to give more movement or more precise response to the buttons that form the joypad. They are made almost flush with the body and have a soft short stroke. Apparently, this was done to simplify moisture protection and prevent accidental clicks. However, when you need to quickly switch the focusing area, you will not get it as clearly and clearly as on other models. I believe that in the cold with gloves, the problem will worsen.

Some disadvantage is the start of time-lapse photography not with the shutter button, but with the "OK" button. The fact is that when you press this button, even a camera mounted on a good tripod will surely move. This can be avoided by setting a response delay - but this delay cannot be less than one minute. We hope that in the next version of the camera's firmware this situation will be optimized either by transferring the shutter to the traditional shutter button, or by providing an opportunity to make the usual pre-shooting delay (about two seconds).

A weak point was also discovered during the studio tests. When you set the white balance to a studio flash light, the image on the screen or in the viewfinder instantly turns yellow due to the difference in temperature between the modeling light and the working light. Since the camera is positioned as a professional one and even has a simple synchrocontact, I would like to have an appropriate flash sighting mode, with color correction (which is obviously easy to implement in software and may well be added with a firmware update).

Another quibble is the impossibility of using a classic mechanical cable release to release the shutter; for some reason the thread from the release button disappeared.

At the same time, let me remind you that at the time of "going to print" of this article, testing of the camera continues, and it has moved from prosperous Moscow to very extreme conditions. Perhaps this section will be supplemented yet 🙂

Shooting quality and test photos

The quality of the shooting is the main criterion by which we judge the camera. We did not expect any special miracles here; it was assumed that the image quality will be at the level of the X-E2 model (and, to be a formalist, the X100S). In general, it turned out to be so. And that's a good thing, because the output you get is accurate exposure, well-chosen white balance and excellent color reproduction, possibly adjusted for your favorite Fujifilm film. And if you are already using one of Fujifilm's non-mirror cameras, the quality and techniques of working with images will be quite familiar to you.

The X-T1 camera shoots, let's not be afraid of the word, excellent JPEGs, but high art, as you know, requires RAWs. There are no problems with them: the latest versions of Adobe Camera RAW and Lightroom don't just support them; they support the main proprietary "feature", that is, stylization for photographic films (confirming the screenshot on the right). For a professional, the need to shoot RAW + JPEG may not arise at all, because the software will allow you to do everything that is needed. Moreover, the quality of pictures after such processing is even better than that of "camera" JPEGs. But if you suddenly need JPEG urgently, the camera retains the proprietary feature of all other cameras in the series, that is, the built-in RAW converter.

As a material confirmation of all of the above, we publish footage shot by a new camera specially for our magazine by Eduard Kraft, Sergey Romanov, Lena Volkova and Vladimir Morozov. All published images are shot in RAW and processed by Adobe Camera RAW in automatic mode, which does an excellent job.

So, see our gallery for yourself.

XF18-55mm f / 2.8-4 R LM OIS lens; f.r. 55 (84) mm; 1/180 sec, f / 16, 200 ISO. Studio flash light.
Imitation of Provia film. Having looked at the full-size image, you can be convinced of the high detail of the camera even with the stock zoom lens and appreciate the excellent colors of Provia. © Vladimir Morozov.

XF18-55mm f / 2.8-4 R LM OIS lens; f.r. 55 (84) mm; 1/30 sec, f / 4, 1600 ISO. Hand-held shooting.
Macro photography. Shoot handheld in long exposure macro mode and high ISO. Conclusion: 1600 ISO - quite a working value (noise in the shadows is more like a film grain than digital noise), the included stabilizer worked by 5 points.

XF18-55mm f / 2.8-4 R LM OIS lens; f.r. 27.7 (42) mm; 1/500 sec, f / 8, ISO 200.
Shooting against the sun. The picture clearly shows that the camera is not prone to optical aberrations.

XF18-55mm f / 2.8-4 R LM OIS lens; f.r. 18 (27) mm; 3.5 sec, f / 2.8, ISO 200.
The camera measured the exposure perfectly with a wound ND filter with a density of 10 stops and worked a long shutter speed of 3.5 seconds. © Edward Kraft.

XF55-200mm f / 3.5-5.6 R LM OIS lens; f.r. 122 (183) mm; 1/350 sec, f / 11, 200 ISO.
University. The setting sun, enhanced by the imitation of Velvia film. © Vladimir Morozov.

XF55-200mm f / 3.5-5.6 R LM OIS lens; f.r. 67 (101) mm; 1/100 sec, f / 11, 200 ISO.
The photo illustrates well the wide dynamic range of the camera and very correct auto white balance. © Edward Kraft.

XF55-200mm f / 3.5-5.6 R LM OIS lens; f.r. 200 (300) mm; 1/80 sec, f / 5.6, ISO 200.
The photograph was taken from a low point with outstretched arms using the camera's flip-down monitor. In equivalent, the focal length of the lens was 300 mm, and the shutter speed was 1/80 s - a praise for the built-in stabilizer. © Vladimir Morozov.

XF18-55mm f / 2.8-4 R LM OIS; f.r. 50.5 (76) mm; 6 sec, f / 10, 200 ISO.
Photographer Edward Kraft.

XF18-55mm f / 2.8-4 R LM OIS lens; f.r. 55 (84) mm; 2 sec, f / 10, 200 ISO.
Shooting with a tripod in long exposure mode, colors are enhanced with imitation Velvia film. © Edward Kraft.

XF18-55mm f / 2.8-4 R LM OIS lens; f.r. 20.5 (31) mm; 4 sec, f / 11, 200 ISO.
Shooting with a tripod in long exposure mode, colors are enhanced with imitation Velvia film. © Edward Kraft.

Portrait. The camera is quite convenient to shoot in a studio with pulsed light, for this you need to turn off the exposure display mode in the “screen settings” menu. © Lena Volkova.

XF18-55mm f / 2.8-4 R LM OIS lens; f.r. 55 (84) mm; 1/180 sec, f / 8, ISO 200.
Fashion. Convert to b / w using the built-in camera converter. © Lena Volkova.

XF18-55mm f / 2.8-4 R LM OIS lens; f.r. 55 (84) mm; 1/180 sec, f / 5.6, 400 ISO.
Genre. Shooting in the studio with Dedolight constant light. Convert to b / w using Adobe Camera Raw. © Sergey Romanov.

Here you can download all suggested test images in full resolution in JPEG format, as we received them after processing in Camera RAW. If you want, you can practice with RAW files yourself: to do this, download the RAWs by clicking on this link (attention, traffic!).

To be able to fully process the pictures taken by the X-T1 (as well as other latest innovations from Canon, Hasselblad, Nikon, Samsung, Sony, etc.), you will have to download the "release candidates" from the links provided (working and tested versions, so far not passed mass user testing) software versions for Adobe CS6 or CC software packages:

Final conclusions

Summing up the aforementioned, we must honestly say that the new camera certainly and rightfully occupies the position of the top model in the Fujifilm X camera family. In general, the X-T1 camera quite meets the requirements usually imposed on professional cameras. It is built to be durable, reliable and extremely fast. And its electronic viewfinder, obviously, will become a "reference point" for some time, it is with it that EVFs of other cameras will now be compared for compliance with international standards and the latest technology.

In addition, the noticeable retro-orientation of the design should be noted. As already noted, the camera falls somewhere in the middle between the Olympus OM-D E-M1 cameras (top-notch micro-4/3 system with a “mirror” form factor and professional functional set) and Nikon Df (top-level DSLR with “ traditional "interface concept).

Without a doubt, the X-T1 camera will compete not only with non-mirrorless system cameras, but also with the most real DSLRs, and not only with the already named Nikon Df model, but also with quite mass models of the middle and "upper middle" level, like Canon EOS 70D and other brands.

While the article was being prepared for print, the X-T1 camera has already gone on sale in the first stores. Its price so far practically corresponds to the previously announced recommended prices: 54,999 rubles. per case and 69,999 p. per kit with standard XF18-55mm f / 2.8-4 R LM OIS zoom lens. It's not cheap, but given the professional performance and functionality, the price doesn't seem too high. However, this is clearly not a camera for everyone; before investing in its purchase, make sure at least that it is conveniently in your hands. And if your first impression is positive, chances are you will love this camera and it will be able to reward you with great photos.