An adult "Thumbelina": a review of the compact camera Canon PowerShot G5 X. Canon PowerShot Pro1 - quality that ends quickly Main characteristics of Canon PowerShot G5 X

At meetings with representatives of companies that produce digital cameras, printers, scanners and other equipment, it is not uncommon to hear that customers do not appreciate the software that comes with the package. Buyers ignore legally inherited software and at the same time use illegal * hotoShop, * CDSee and other applications.

Manufacturers are trying to make life easier for consumers, but they do not appreciate their efforts. And they manually transfer the data from the camera to the computer, manually sort them and create albums, but they do not know about the "standard" tools for automating archiving and editing at all. It is worth, for example, to the complaint of the owner of the camera that the pictures are "sluggish", to demonstrate such an effective means as PIM correction module from Epson, they ask: "Where can I get this and why didn’t they tell us about it?" But everything is in boxes with purchases or on the websites of companies, free and free.

There are several reasons for this state of affairs. One of them is the usual laziness, and not at all the malicious intent of the buyers. Programs that have been known to many for a long time win in popularity for what still needs to be mastered. And if a rare buyer reads to the end the short manual for the device, then the software manual, if any, remains unopened. And of course, the "paid" program is perceived by the majority as something more effective (it's not for nothing that others pay for it), in contrast to the free one. This is partly true. But for most users, the in-the-box software capabilities overwhelm all of their needs. And the user paid for the software from the boxes by purchasing his equipment. Another reason for the lesser popularity of software from branded boxes is its pronounced focus on its equipment and its formats. Of course, manufacturers have the right to motivate the buyer to choose what they do for sale. But as a result of such a policy, the buyer may stop appreciating their products.

To remedy the situation at least a little, we will describe the main features of the software that comes with the camera. Canon PowerShot G7(and other compact cameras Canon). Its main components (for the platform Windows): CameraWindow, PhotoStitch... Consider the programs CameraWindow and ... Program PhotoStitch is intended for stitching panoramas and deserves a separate article. CameraWindow

Main functions Camerawindo w: Upload images from camera to computer and vice versa, print control, control shooting from computer, custom camera settings.

When you connect the camera (or card reader, with fewer functions) to your computer via USB, CameraWindow will automatically (by default) launch. Its first sub-submenu is for downloading images from the camera to the computer. You can choose one of the options: download the photos marked for downloading in the camera by clicking on the Download button (on the camera), download everything in a row, view and download the selected.

Before starting the download, it's worth spending a little time pre-configuring the program. The "Preferences" button calls up a menu for selecting a folder on the computer, into which the download will be made, and a menu of parameters for automatic download. You can configure the autoloader so that only new pictures are uploaded, all pictures in a row, pictures with a print order set in the camera, pictures marked with a “for upload” mark in the camera. So that after downloading pictures you do not need to search for them manually through the explorer, you can also define the action that will be automatically performed: "slide show", "print pictures one by one per sheet", "print index sheet".

One of the possible download options is with a preview of the images. In addition to thumbnails, the monitor displays shooting information and a histogram. Selected images can be transferred to a computer, printed, opened in ZoomBrowser EX.

When images are downloaded from the camera to the computer, the progress is shown on the display.

CameraWindow's next window is Print. You can print all pictures in the camera's memory card, print a contact sheet, DPOF print order, or manually select pictures and print them.

Submenu - "Camera settings". It is for uploading and configuring additional camera welcome themes and uploading images from the computer to the camera.

Some Canon cameras are endowed with the ability to control shooting from a computer, transferring images to its hard drive and using the computer monitor as an "external" display of the camera. To enable this mode, go to the "Remote shooting" submenu. Then define the folder on the computer for uploading images.

The interface for controlling shooting using a computer is not inferior in functionality to that of the camera itself. The virtual display has a resolution of only 320 × 240, but the image on it refreshes as quickly (subjectively) as on the built-in display of the camera. Under the zoom slider there are buttons that perform the functions of turning off the virtual display and “half-pressing the shutter” on the camera. When the camera is connected via the USB2 interface, the shooting speed with downloading images to a computer at the maximum resolution (10 MP JPEG of the Canon PowerShot G7 camera) is about 1 frame every 3 seconds.

Custom settings for PC shooting control. You can set the options for saving snapshots, the mode of the camera display and its video output, interval shooting, shooting with a delay, etc. The minimum interval for interval shooting is 5 seconds.

Main functions : viewing images (formats JPEG, TIFF, RAW; but the PSD program does not see files) and video, data systematization, editing, printing.

The main window of the program consists of menu bars and a task area, a viewing area for images and their attributes. On the left, under the task pane, there are windows for navigating the structure of computer disks ("explorer"). In the "Preview Mode" mode, an image is displayed in the center of the viewing area, to the right of it is a data area with a histogram, a menu of keywords, ratings, comments, and an EXIF ​​data window. Below is a line of thumbnails. The buttons above the viewing area allow you to switch to the mode of viewing a separate image, turn on the slideshow mode, open the dialog for searching images by attributes, rotate or delete an image.

Menu of preliminary settings of the interface and the main functions of the program - "Preferences". In the main window ("General") you can enable color management, adjust the scaling mode (quality-speed balance), and other parameters. In the "Themes" window, you can select the style and color scheme of the program's working windows.

The screen is in "Preview Mode" with the keyword editing function enabled. There are 3 standard categories for keywords and one custom one. In the empty text box under each category, you can enter a new word and click on the "+" to add a new word to the general list. Unfortunately, keywords entered in this way are accessible only to ZoomBrowser itself, and standard viewers of text attributes of image files of common applications do not display them. Therefore, the functionality of such a powerful tool as "keywords" is limited only by the ability to search and sort within the program itself ZoomBrowser EX.

Fragment of the program window in the "Zoom Mode". In the background of thumbnails, a reduced navigator grid with a marked area is displayed, which is currently displayed.

Using the zoom slider, the image in the "Zoom Mode" window can be enlarged up to 100%.

The program window is in the "Scroll Mode".
The Filter Tool is available in any of the three viewports, allowing you to select images by category or rating.

Setting data displayed with thumbnails for Scroll Mode.

Tasks menu. Tasks are divided into groups: “taking snapshots”, “viewing and categorizing”, “editing”, “exporting”, “printing”, “Internet”. The functions corresponding to the buttons are easy to understand from the names of the buttons. Explanation, perhaps, requires only the "Export" section. Using the functions it contains, you can convert your original images to other formats and save them. When “Export Shooting Properties” is selected, the text information of the image file is written to a separate text file.

The program provides a convenient tool for selecting the best images and removing the worst from a group of similar images. A group of several images (up to 4) can be viewed simultaneously, changing the rating, protecting from deletion or deleting the image.

In playback mode, the EXIF ​​data of the file header can be output to the image window and the position of the focus area can be displayed. Shooting data is also displayed for RAW files (at least for Canon cameras).

Search window for files on the computer disk by their attributes. Unfortunately, as already noted, the program sees only its own "keywords", while comments are "universal".

An alternative and more efficient way to convert RAW files is to invoke the RAW Image Task application included in the ZoomBrowser EX package. Its functionality can be compared to that of AdobeRAW for Photoshop, if the user does not need too fine tuning. The subroutine provides for color management, and 16-bit representation, and converting to b / w with toning. And of course, all the standard operations for RAW: exposure correction, white balance, saturation, hue. You can process several RAW files at once.

In addition to the advantages, the described software also has disadvantages. One of the most important is the “closed nature” of the system. "Keywords" are not "seen" by other applications, "categories" can only be created in cameras Canon... If the world were not closely connected by a network, in such a state of affairs there would be nothing to worry about. You can do whatever you want with your images on your computer, and you don’t care about others. But the photographs are taken with the expectation that they will be viewed by many, and on other computers with other software, including. And not only watch, but also work with them. There are generally accepted metadata formats, and introducing “ours” similar to existing metadata, available again only to “ours”, is a bad way to increase the popularity of software.

Whether it is worth using the "standard" software, everyone decides for himself - the product is his and he is free to do whatever he wants with it. In principle, a regular module for viewing and printing images Windows many have enough to solve all their problems. However, if you decide to master Photoshopa, then you can master the applications from the kit of your camera, printer or scanner. You can ask: “Why master something else, if mastered, for example, Photoshop? " There are no answers, there are only arguments in favor of the standard software:
he is legal
its price is included in the price of the device,
it provides both editing and archiving tools for snapshots,
and, finally, there are functions that are available only to him and rare other programs (for example, displaying the sensitivity setting in the EXIF ​​data of cameras Canon- for this tag Canon uses a custom field).

Until recently, the PowerShot G series was famous for the extremely serious approach of designers to the solution of the hardware interface. In their desire to make a truly convenient and useful auxiliary tool for a professional photographer with a SLR camera, they poured a maximum of buttons, wheels and multilevel selectors onto the device body.

Canon PowerShot G1 X Mark II

13.1 Mp 24-120 mm 5x 3 ”35 100 rubles.

Like many devices with large sensors and built-in optics, the PowerShot G1 X Mark II belongs to compacts only on a formal basis. In terms of dimensions, weight, ergonomics, functional equipment, it is much more like a "system" camera. To a large extent, these dimensions are determined by the format of the light receiver. Measuring 18.7 x 14.0 mm, it differs only slightly from APS-C sensors. To illuminate it completely, a fairly large optics is required, separated from its surface at a considerable distance. If we compare the G1 X Mark II with other compacts in our selection of APS-C format and more in terms of the sum of measurements, it turns out that Canon is larger than all of them, even the full-frame Sony Cyber-shots. But it should be borne in mind that more "miniature" competitors are equipped with either fixed optics or low-power zooms. While the 5x zoom, of course, gives the photographer much more freedom in the choice of framing, size and perspective.

Until recently, the PowerShot G series was famous for the extremely serious approach of designers to the solution of the hardware interface. In their desire to make a truly convenient and useful auxiliary tool for a professional photographer with a SLR camera, they poured a maximum of buttons, wheels and multilevel selectors onto the device body. In the G1 X Mark II, the concept was revised, everything unnecessary was removed from the top panel, along the way, cutting off a certain number of millimeters of the predecessor's dimensions. Multi-function rings on the lens in the amount of two pieces take over the functions of changing various parameters depending on the current mode. Without taking up useful space on the case, they perfectly perform the tasks assigned to them.

Following the example of a number of other manufacturers, Canon chose to make the viewfinder option in the G1X Mark II. The 2.36 million dot EVF-DC1 electronic eyepiece with 90-degree upward rotation mechanism can be purchased separately and installed in the camera's hot shoe. It costs, like all similar solutions, not cheap, but much better in quality and much more useful than the optical eye of the previous models. And it does not take up space in the case.

The camera is tightly integrated into the Canon EOS system. The user can expand the capabilities of the camera by attaching proprietary Speedlites or transmitters and use the same remote controls as on DSLRs through the E3 port. To protect the optics from reflections and glare, an optional hood is offered, and a variety of light filters can be screwed onto the lens through an adapter with a 58 mm thread.

The creative toolkit is also designed for experienced photographers who understand what they want to get in the picture and by what means it can be done. These buyers will appreciate the specialized features of the camera, such as support for sync with external flash at high shutter speeds up to 1/4000 s, the ability to save images in 14-bit RAW format, display a histogram in real time and taking into account the introduced exposure compensation. A significant disadvantage for some will be the practical absence of burst shooting. A nice addition is the presence of Wi-Fi and NFC modules.

Specifications:

	Manufacturer
Average price*
Size, inches
Effective pixels, million
ISO sensitivity **
Lens, focusing	Equiv. Focal length, mm
Photography	Image stabilization ***
Aperture values
Manual focus
Macro mode, MDF, cm
Exposure range, sec
Subject programs
Manual white balance
Built-in work flash, m
Connection external flash
Aspect ratio 3: 2
Aspect ratio 16: 9
Video and sound	Video, pixels
Video sound
Sound commentary
Dictaphone
	LCD monitor, inches
Viewfinder****
Memory cards
Internal memory, MB
Food*****
Dimensions, mm
Date of announcement

Canon PowerShot G7 X

Canon PowerShot G7 X

20.1 Mp 24-100 mm 4.2x 3 ”30 300 rubles.

The new G7 X is Canon's attempt at segmenting the broad class of high-end Power-shot compacts even further. In the pocket form factor of the S series devices, the developers tried to maximize the level of quality and functionality of the Gx X models. There is no physical ability to combine a relatively small body with a large 1.5-inch proprietary sensor, and therefore a rather unusual decision was made for the company: to turn to third-party best practices. This is how the first inch format camera appeared in Canon's arsenal. Back-illuminated CMOS technology delivers 20MP still images and Full HD video at up to 60fps progressive scan. Thanks to the presence of such a sensor, the G7 X has not so many competitors: three generations of the Sony RX100 and the newly acquired Panasonic FZ1000. Against their background, the camera stands out with more interesting optics in terms of characteristics. It has the largest zoom range while maintaining a high maximum aperture.

Around the lens is a control ring, first used in the Power-shot S series. However, this design element has evolved significantly since then. For each shooting mode, the user is asked to choose one of several parameters that can be changed by turning the ring directly. This can be exposure values, focal length or focusing distance, color temperature correction, and even the degree of expansion of the dynamic range. Almost all buttons on the camera body can be reassigned to perform the actions the photographer needs. So, in terms of customization, the G7 X may well compete with the recognized leaders in this field - Olympus and Ricoh cameras. The only parameter that cannot be set on the customizable keys and wheels is exposure compensation. In the best traditions of the Power-shot G series, it has a separate control wheel neatly hidden under the shooting mode selector. In addition to a ring around the lens, a wheel on the back and several buttons with pre-installed and reconfigurable functionality, a touch interface is also offered to control the camera. The 180-degree flip-up screen is touch-sensitive and the software menu is optimized for finger navigation and adjustments.

Built-in flash with guide number 7 built-in flash camera capabilities are limited. Perhaps this was done deliberately in order to separate the series' models into different segments. It is clear that the "hot shoe" on the narrow top panel would be difficult to fit. But there is also no support for remote control of Speedlites.

Specifications:

	Manufacturer
Average price*
Size, inches
Effective pixels, million
ISO sensitivity **
Lens, focusing	Equiv. Focal length, mm
Zoom, multiplicity (optical / digital)
Photography	Image stabilization ***
Aperture values
Manual focus
Macro mode, MDF, cm
Exposure range, sec
Subject programs
Manual white balance
Built-in work flash, m
Connection external flash
Aspect ratio 3: 2
Aspect ratio 16: 9
Video and sound	Video, pixels
Video sound
Sound commentary
Dictaphone
	LCD monitor, inches
LCD monitor resolution, thousand pixels
Viewfinder****
Memory cards
Internal memory, MB
Food*****
Dimensions, mm
Date of announcement

Canon PowerShot G16

Canon PowerShot G16

12 Mp 28-140 mm 5x 3 "21 800 rubles.

It would seem that against the background of the newest models with the letter X in the index, the classic representative of the PowerShot G series no longer looks as attractive as many of its predecessors, which over the past 15 years were the indisputable flagships of Canon's compact line. However, this is not a reason to write it off.

In our difficult time, the difference of almost 9,000 rubles compared to the G7 X feels almost like an abyss. At the same time, the G16, yielding to the picture quality, works much faster and noticeably more responsive in terms of control. The contrast detection autofocus system here has a smaller lag and is less likely to malfunction. So 5.7 fps in the continuous shooting mode with tracking focus, the camera works out clearly. With a fixed focus, the G16 is completely capable of taking from 12.2 to 9.3 shots in one second in almost endless bursts.

The 5x high-aperture zoom may not be as wide in angle of view as in the older models, but it is longer in telephoto position. Let's say portrait photography with him will be more interesting. The closest focusing distance of this optics is only 1 cm. Naturally, shooting with the G16 will not work without additional accessories, of course, but it gives much more spectacular close-ups of small objects than the G1 X Mark II and G7 X can offer. the optics are complemented by the ability to set a fast shutter speed of 1/4000 s and a built-in plug-in ND filter that reduces exposure by 3 stops. When using an external flash, the pulse will be synchronized over the entire range of shutter speeds, the built-in blitz - only up to 1/2000 s, but this is sufficient in most cases. Thanks to this set of functions, even in sunny weather, when using additional fill lighting, the photographer can work with the minimum depth of field available for the G16.

Although the camera was released over a year ago, it already uses the now popular 5-axis vibration compensation system with an efficiency of 3.5 EV steps. It has proven itself well in video mode, which itself is quite good both in quality and in functionality. And on this parameter, the G16 bypasses the G1 X Mark II.

When comparing this camera to the G7 X, one cannot fail to note its tighter integration into the EOS system. This will play into the hands of photographers who already have a Canon DSLR and are looking for a more compact and lighter addition: the current flagship may be too heavy for this purpose.

In addition to an extensive arsenal of more or less familiar shooting modes, the camera has a set of astrophotographic programs. The G16 independently exposes and stacks frames for crisp starry sky or startrack effects. She even knows how to shoot a spectacular astronomical time-lapse, or rather, independently collect frames into a movie during time-lapse shooting. Shooting normal scenes is made easier with the ability to simultaneously record two frames in RAW format with different aspect ratios. Not without the integration of the module for wireless data transmission and control.

Specifications:

	Manufacturer
Average price*
Size, inches
Effective pixels, million
ISO sensitivity **
Lens, focusing	Equiv. Focal length, mm
Zoom, multiplicity (optical / digital)
Photography	Image stabilization ***
Aperture values
Manual focus
Macro mode, MDF, cm
Exposure range, sec
Subject programs
Manual white balance
Built-in work flash, m
Connection external flash
Aspect ratio 3: 2
Aspect ratio 16: 9
Video and sound	Video, pixels
Video sound
Sound commentary
Dictaphone
	LCD monitor, inches
LCD monitor resolution, thousand pixels
Viewfinder****
Memory cards
Internal memory, MB
Food*****
Dimensions, mm
Date of announcement

Canon PowerShot S120

Canon PowerShot S120

12 Mp 24-120 mm 5x 3 "16 900 rubles.

The PowerShot S120 and G16 relate to each other in the same way as the G7 X and G1 X Mark II: approximately similar performance electronics, presented in one case in a pocket format, in another in a large, but more ergonomic case with greater expandability. The camera is based on a high-performance Digic 6 processor and a 1 / 1.7-inch CMOS sensor with a relatively small number of photodiodes, but with a decent light sensitivity and signal-to-noise ratio. The scaled down version of the G16 maintains the same high burst speed as well as the accuracy and speed of autofocus.

Since the design of the G7 X was written off from the PowerShot S120, everything that was said earlier regarding the design and control features of the older camera is also relevant for the younger one. The only difference is that the touchscreen is built-in and not rotatable. In addition, the resolution of a three-inch matrix is ​​lower and amounts to 922 thousand points, but, in our opinion, the difference with 1044 thousand points will not be so fundamental.

The entire set of G16 programs is reproduced, including astrophotographic video, and the set of manual settings of the older camera is almost completely represented. Supports HDR shooting in 3 automatic exposures at high speed, which allows you to avoid using a tripod and at the same time get pictures without unwanted ghosting of objects.

Naturally, the reduced body did not allow placing all the necessary buttons and control wheels on the camera, but their lack is compensated by the presence of a touch screen. In addition, the remaining buttons turned out to be quite large in area, and therefore, the photographer will have fewer problems with controlling the camera with gloves. There is no hot shoe here - just a built-in flash. The developers did not forget to build in the Wi-Fi interface, through which the camera can receive data about the place where the photos were taken from a mobile device equipped with GPS or GLONASS. The software for Apple iOS and Google Android mobile operating systems gives remote access to a large number of camera shooting settings. The most significant photographic difference with the S120 is the 5x zoom that is wider than that of the G16, but less aperture. In telephoto position, the maximum aperture is covered up to f / 5.7. On the other hand, the device turned out to be much more affordable than the rest of the senior segment of the Canon PowerShot line in terms of price.

Specifications:

	Manufacturer
Average price*
Size, inches
Effective pixels, million
ISO sensitivity **
Lens, focusing	Equiv. Focal length, mm
Zoom, multiplicity (optical / digital)
Photography	Image stabilization ***
Aperture values
Manual focus
Macro mode, MDF, cm
Exposure range, sec
Subject programs
Manual white balance
Built-in work flash, m
Connection external flash
Aspect ratio 3: 2
Aspect ratio 16: 9
Video and sound	Video, pixels
Video sound
Sound commentary
Dictaphone
	LCD monitor, inches
LCD monitor resolution, thousand pixels
Viewfinder****
Memory cards
Internal memory, MB
Food*****
Dimensions, mm
Date of announcement

Canon PowerShot G16 is the next model in the series, created especially for people who value both high ergonomics, fast lens and the ability to use the latest technology. This camera is the successor to the highly acclaimed G15 build. The new model adds functional Wi-fi and a new sensor, along with the latest Digic 6 processor - which as a result (according to the manufacturer) has made the camera faster. Taking into account that the rest of the assembly has not changed, we can consider the Canon G16 as a slightly improved model of the G15.

We must remind you that at the premiere of Canon's G16, the camera was received rather coldly among photographers and journalists. They expected revolutionary changes in details that were criticized in the G15. They were counting, in particular, on a flip-down display or an electronic viewfinder, or something that could significantly improve the comfortable use of the camera.

Was the Canon G15 really bad enough to be replaced so quickly? On the contrary, the previous model received generally high marks in all categories with the exception of the quality of the optics used.

The G16 is the first G-series camera to take full advantage of BSI technology. The new processor really speeds up the camera, and the Wi-fi interface makes it more enjoyable to use.

Build quality.

The Canon PowerShot G16 is a slightly larger camera than other compact models designed for advanced users. Its dimensions are dictated by a large number of controls located on its body, as well as an optical viewfinder. Despite the fact that its body is made of magnesium alloy, the camera is relatively heavy: together with the battery and memory card - 354 g (313 g weighs only the camera body), which puts it on a par with heavy compact cameras.

Compared to its predecessor, that is, the G15 model, the only noticeable change in the design of the device is the reorganization of the rear control panel.

There can be no objection to the quality of performance. The body elements are perfectly matched to each other, and overall the device makes a good impression.

Main features of the Canon G16 camera:

• sensor BSI CMOS, size 1 / 1.7 ″ and resolution 12 Mpix
• sensitivity range ISO 80-12800
• f / 1.8 – f / 2.8 lens with an equivalent focal length of 28–140 mm
• Neutral gray filter (3 steps)
• Shooting speed 12 frames / sec.
• LCD screen 3 ″ with a resolution of 920 thousand pixels
• Hot shoe
• Optical viewfinder
• Built-in Wi-fi

Lens

Just like its predecessor, our hero is equipped with a lens with a focusing range of 6.1-30.5 mm (28-140 mm in 35 mm film equivalent), or 5x optical zoom. The lens construction consists of 11 lenses, divided into 9 groups (2 aspherical double-sided lenses, 1 UD lens, 1 single-sided aspherical lens). The aperture of this lens is f / 1.8 – f / 2.8.

Let's see how the aperture value changes depending on the focus used.

We can clearly see that the design of the lens was conceived to hold the large aperture for as long as possible. One can only wish competitors to take this design feature as a reference. Bravo!

Let's take a look at how the G16 ranks against the competition in terms of lens parameters.

Model	Focal length range	Diaphragm
Canon G16	28-140 mm	f / 1.8-f / 2.8
Panasonic DMC-LX7

The lens has a thread that allows you to attach the LA-DC58L attachment, which allows you to use filters with a size of 58 mm, or accessories such as, for example, the TC-DC58E tele-converter. To protect the lens during transport, the front lens is guarded by a shutter that automatically opens when the camera starts up.

For those who would like to achieve greater zoom, the manufacturer foresaw the option of additional digital zoom in the picture. And while we can afford 20x magnification (or the equivalent of 560mm for 35mm film), when using it, we have to forget about RAW and accept the loss of picture quality.

In macro mode, the device is able to get a clear picture already at a distance of 1 cm from the front edge of the lens.

Control elements

On the front panel, in addition to the lens, we can also find a viewfinder peephole, an autofocus and self-timer indicator, a front wheel and a button to unlock the ring that protects the thread for attaching accessories to the lens.

On the rear panel there is an LCD screen surrounded by it: a viewfinder with a diopter adjustment along with an indicator consisting of two LEDs (functions of which are to indicate the power supply of the device, ready for shooting, AF ready and also flash), the PLAY button and the control panel. The top of the panel serves as a support for the thumb, right on the side at the very edge, there is a button for recording a video, as well as a shortcut key S. Below we see two buttons: select the ISO sensitivity, as well as a button marked with an asterisk icon, the main function which is to lock AE / AF, as well as filtering pictures in preview mode. Next, there is a four-position switch surrounded by a ring, which performs the following functions:

- Right - flash modes

- Down - DISP button

- Left - autofocusing modes

- Up - MF mode

The middle switch button brings up the FUNC menu and confirms the selection of options.

At the very bottom we will find 2 additional keys:

- AF field selection (in photo mode) / WI-fi activation (in photo view mode)

The AE lock key can also be used to quickly select exposure settings when the unit is in mode M (setting takes exposure compensation settings into account).

The upper panel is reserved for the flash and the lever for launching it, a standard hot shoe, on the sides of which there are stereo microphones, a double control wheel (the upper wheel is responsible for shooting modes, and the lower one for exposure compensation). Nearby is the shutter release, surrounded by a focus change lever, and below is a small switch with an indicator.

On the bottom panel we find the battery cover and memory card slot. There is a tripod thread nearby. Unfortunately, its location leads to the fact that after installing the tripod disk, we have no way to open the battery compartment.

The side panels are used for communication ports (right panel) as well as a loudspeaker (left panel).

Power and connectivity

The camera is powered by a battery with the NB-10L designation and the parameters 7.4 V and 920 mAh. The battery, according to the manufacturer, is enough for 350 shots (or even 770, provided that the user will not use the LCD screen). During the tests, we were unable to achieve the stated amount - the battery required charging after 280 photos (with the LCD screen on). Non-linear operating speed and high sensitivity to voltage surges can be an additional problem. After the red battery icon flashes, indicating a complete discharge, it is enough to turn off and then turn on the device in order to see the half-charged battery again. After several shots, the situation repeats itself.

The battery socket is protected against accidental attempts to insert the battery incorrectly. Charging is carried out in a special charger CB-2LCE and lasts about 1.5 hours. The manufacturer does not allow charging via the USB port.

Another way to power the unit is by using the optional ACK-DC80 external power supply. The battery compartment also provides space for a Secure Digital (SD, SDHC and SDXC) memory card.

On the right side of the device, under a protective cover, are the HDMI class C ports, as well as a universal communication port that allows you to send audio / video signals to your TV using the supplied cable. This port also acts as a USB port. By connecting the camera to the TV via HDMI, we can control the opening of pictures using the remote control. Next to the named ports is the remote control socket.

Screen

The device uses a 3-inch TFT screen with a resolution of 921 thousand pixels. To ensure the best display of colors under different lighting conditions, we can adjust the brightness of the screen in a range of 5 levels.

The image has good image contrast. Anti-reflective coatings do their job perfectly - even with strong reflection of sunlight, everything is visible and the reflections of light do not burden the shooting process. Of course, you can complain about the lack of a flip-down option or the inaccessible touchscreen interface.

Viewfinder.

The device has an optical viewfinder, the field of view of which changes with a change in the focus of the lens. As in previous models of this series, the viewfinder has one problem - the position of the picture in the viewfinder may differ slightly from the captured frame. The viewfinder is equipped with diopter adjustment, but it lacks a proximity sensor to turn off the main screen.

It turns out that photographing using only the optical viewfinder does not make it possible to use autofocus in face detection mode. Also, when filming a video, the device requires the LCD to be turned on.

Usage and ergonomics

The G16 fits well in the hand, but the front grip is not well-matched. The shutter release button does not always work well - it takes force to take the picture, but the two-stage resistance does not work well enough.

In order to make the use of the camera convenient, the manufacturer equipped it with a roller and an additional control ring, thereby giving users more freedom when working with aperture and shutter speed at the same time. We also have an exposure compensation ring that works in M ​​mode, but is useless in AUTO modes.

An interesting feature is the transfer of the zoom control to the front control ring. In this case, each rotation of the lens will move the lens position to the next preset value. Here is their complete list: 28, 35, 50, 85, 100, 140 mm.

The Cannon G16 allows the use of a remote release cable. This is very convenient for users who are taking long exposure photography, which can go up to 240 sec. Another solution is to use the self-timer. In this case, we have standard delay periods of 10 and 2 seconds, as well as a special mode in which we can afford to set the number of shots (max. 10), as well as the duration between them (max. 30 sec.). The G16 also offers the ability to start shooting when a new face is detected in the frame (by default: the photographer's face), a blink or a smile.

During studio shooting, we can not only connect external power to the device, but also fire external flashes using the built-in flash, operating in manual mode, using photocells. Unfortunately, the device does not offer the user a function to turn off exposure simulation on the LCD screen.

A unique feature of the device is the hybrid automatic shooting mode, which we have known from the previous model. Its characteristic feature is the ability to automatically record 2-4 second clips before pressing the shutter button. The device compiles a film from these clips, which will include a video selection of the events of the day.

Shooting modes

On the camera's mode selector, we will find the following options:

• Auto
• Auto Hybrid Mode (Movie Mode)
• P-semiautomatic mode
• Tv - shutter priority mode.
• Av - Aperture Priority Mode
• M - manual mode
• C1-C2- custom settings
• Video Mode
• Creative filters mode
• SCN - Special Scene Mode

Menu

The G16 has a menu that is organized in a manner typical of Canon compact cameras; it is quite clear and functional. It is divided into several groups, which are presented in the form of horizontal tabs. To get to a specific option, we have to scroll through the screen until we find the element we need. Unfortunately, in order to switch to another tab, we have to patiently scroll to the beginning or to the end of the list - there is no possibility of instant transition. Admittedly, this is not an obstacle, given that by default the device has only one tab with options such as shooting.

To have quick access to "My Menu", the camera allows you to change the key properties of the MENU button, so that when you press it, not the main menu opens, but only your own personal one.

The next handy tool is the FUNC menu, which we can activate by pressing the middle key of the four-way selector (labeled Func / Set). After pressing, a menu appears on the left of the screen, where, in the form of displayed icons, certain parameters become available for this shooting mode. Navigation in this menu is possible with a four-way selector:

Down / Up - select an element to change

Left / Right - select the value of the element

Further pressing the FUNC / SET button turns off the menu and returns to the selected shooting mode.

During shooting, the DISP button is used to turn on and off the information available on the screen or also to completely turn off the screen. It should be said that from this point of view, the camera appears in a rather bad light. From additional elements displayed on the screen, we have the option of including a digital grid and a histogram.

In the photo view mode, we have the ability to display additional information in three ways. Display of basic information on top of the photo itself, mode with thumbnails adjacent to short blocks of EXIF ​​information and through the histogram, including through the RGBY histogram. The playback mode also works during photographing, where we can see a preview of the executed picture, if in the preview configuration menu we change the settings from "fast" to 2.4.8 seconds or to infinity.

In the case of films, with the exception of the clarity control screen, the same views and summaries of information are available to us. We also start displaying the video, during which we can activate the additional panel (by pressing the SET key). We use this panel to enable pause, fast forward and rewind, and video editing. When you select editing, another panel will appear, where we can find options for extracting a fragment of the video and recording it as a new clip or saving it with replacing the original video.

While previewing images, you can edit them. Available options:

• Change of size
• Cropping
• Color adjustment
• Contrast Correction
• Red eye correction

In the case of video, it is possible not only to open, but also to rewind forward and backward, move one frame, delete and shorten a clip, by deleting fragments from the beginning and end of the movie.

Naturally, the camera also offers the possibility of enlarging image fragments, as well as switching to thumbnail mode - there is a choice of 3x2, 4x3, 6x6 and 10x10 views.

An interesting feature is the animated plane on which thumbnails of the photo are displayed when a large number of images are selected at the same time. The effect is reminiscent of the way the credits were displayed at the beginning of each part of the Star Wars saga. A mode for organizing pictures into categories is also available.

As well as in G15, the described camera has a function of automatic search for similar images (the condition for this is at least 50 images on the memory card). In short, for each photo shown, the camera adds and shows about 4 sentences of similar photos. With the help of a four-position selector, we move from the main photo to the specified one, and the camera will once again suggest additions to the specified photo.

Work speed

The camera does not show slowdowns during long work, both during menu operation and during photo viewing. The time it takes for the camera to change the focal length between the extreme values ​​is also not lagging behind what we expected. You should pay attention to the speed of the autofocus. In this situation, it is really not bad - the camera focuses very quickly.

Burst shooting

The camera has 2 burst modes:

• Multiple shots (focus and exposure on the first frame)
• AF burst

Other shutter release modes are:

Sequence of sharpness (for MF mode) - the camera takes 3 shots: the first one with the sharpness set manually, and the next ones with a sharpness shift to the far and near positions, relative to the first shot.

Self-timer with a delay of 2 and 10 seconds, as well as a program mode, which makes it possible to determine the delay (0-30 sec.) And the number of shots (1-10).

Continuous shooting is only available in P, Tv, Av, M, C modes

Autofocus

The autofocus system in the Canon G16 is based on contrast identification. We have the following focusing modes:

• Time-lapse
• Continuous
• Servo AF
• Manual

We can choose the focus area:

• Intelligent face search - the camera detects and sharpens faces and sets the exposure, as well as the white balance, it is possible to select a face if there are more than one in the frame.
• FlexiZOne - allows you to freely move around the frame and set the exposure.
• Follower

The G16 can also detect smiles (with automatic shutter release).

The G16's focusing is really fast and accurate. The use of the new processor has successfully reduced the focusing time. Suffice it to say that during test shooting, we had no problems in either single mode or continuous AF. In low light, autofocus was assisted by an LED indicator. However, it must be borne in mind that the beam of light that it delivers is not so strong, so it will help us only in case of focusing on closely spaced objects.

In manual focus mode, you must use the up / down keys of the four-way selector or the selector ring to focus on. A special scale will be displayed on the right side of the screen in this mode, showing the focusing distance. We also have a magnifying glass at our disposal that enlarges the part of the picture that we want to focus on. Whether the magnifying glass will be active, we can determine this in the settings menu.

Exposure metering

The Canon G16 has the following metering modes:

• Evaluative
• Center-weighted
• Spot (can be linked to AF area)

An essential addition is the built-in ND filter, which we can only use in P, Tv, Av, M and video modes. The power of this filter corresponds to 3 degrees of aperture and allows you to take pictures in situations where the amount of light is so great that even using the slowest shutter speed will overexpose.

In practice, the evaluative mode (default) in most cases works properly and correctly exposes the photo.

Flash

The built-in flash has a range of 50cm to 5m for wide angle and up to 4.5m for maximum focal length (ISO Auto). We can adjust the flash power compensation in the range from -2 to 2 EV, in 1/3 EV steps.

Below the right guide button we will find the settings related to the flash mode.

• Auto flash
• Forced flash
• Slow sync
• Flash off

The Canon G16 has a flash lock function that we can turn on with a button marked with an asterisk symbol. In addition, in the camera settings, we can choose whether the flash will be synchronized with the 1st or 2nd curtain, as well as whether the flash will remove the red-eye effect.

Creative modes

The G16 has a set of several digital filters:

• antiquity effect - a shot with pale colors
• fish-eye effect (the strength of the effect is presented in the form of a 3-step scale)
• miniature effect
• toy camera effect
• defocusing the background (the strength of the effect is presented in the form of a 4-step scale, and there is also an automatic adjustment)
• soft focus (the strength of the effect is presented as a 3-step scale)
• black and white
• super bright
• poster effect

Video recording

The Canon G16 is capable of recording video clips in 2 modes: instant, available in each camera mode, and a separate one that we select on the mode dial. The difference between them is in the number of available options. We start and end the video recording process using a special button on the device.

Canon G16 offers video recording in the following resolutions:

1920 × 1080 at 60 or 30 fps

1280 × 720 at 30 fps

640 × 480 at 30 or 120 fps

320 × 240 at 240 fps

During video recording, the camera allows you to reduce audio noise, use image stabilization, ND filter and white balance settings.

Video recording is straightforward and the quality of the footage is very good thanks to the 1080 / 60p mode. The image is detailed thanks to moderate compression of the material. A frame rate of 60 frames at the highest resolution ensures that fast-moving subjects are captured without blurry edges. We must remember the possibility of using various digital filters to help create. An interesting detail allows you to create slow motion movies. The quality of the noise reduction filter leaves much to be desired, in contrast to the image stabilization, which works perfectly well.

Wi-fi connection

The Canon G16 is the first model in the G series to include Wi-fi, which allows you to:

• Internet / social media connection (via CANON iMAGE GATEWAY)
• Connecting to a computer, smartphone or tablet so that you can view the captured images (when using the CANON CameraWindow app)
• Connecting to other cameras

It can be seen from this that the above actions refer to already taken pictures. And in fact - as usual, we do not have the ability to remotely control the camera. It's a pity.

To turn on Wi-fi, you need to enter the picture view mode, and then press the Wi-fi activation button on the camera (select the focus point).

No problems were found when connecting the camera to the smartphone. In this mode, the camera acts as an access point to which the phone connects. Using the CANON Camera Window application, we can view images (in this case, it is more reasonable to use a tablet instead of a smartphone) and set our geographic position. The last process should be interpreted as a very weak replacement option for the GPS module in the camera itself (the application on the smartphone must be constantly active, which leads to a relatively fast discharge of the phone's battery).

By connecting the camera to a Wi-fi network, we can also upload images using the service www.canon.com/cig (CANON iMAGE GATEWAY). You must register in advance on this page and provide your model details. Then the camera exchanges identification codes with the website (the camera generates a keyword that we enter in the browser, after which we confirm on the camera whether the generated code is identical to the one we see on the computer). If so, then we further determine how we want to upload our photos (Facebook, Twitter, YouTube, Flickr). After this rather complicated procedure, the camera should already upload the taken photos to the appropriate social networks. We have to admit that apart from going through the full procedure with the settings, we were unable to get the Canon G16 to send the photo on the first try. The camera software resisted this, showing a message that some (unspecified) services were not configured. Soon after a few days, all of a sudden, for no specific reason, everything worked.

Remembering a face

The C16 offers the ability to memorize 5 faces with their name and date of birth. Recorded faces information can be used to prioritize sharpness and exposure. As soon as we enter the dates of birth, the camera will focus on the younger person on its own.

Hybrid auto

One of the most interesting functions is the hybrid mode, which allows, in addition to the usual photographing in auto mode, to record 2-4 second video clips sequentially before each press of the shutter button. The footage recorded in this way will be combined into one iFrame file for each day we took the picture. Thus, this clip will be a short recording of the events that made us take the photo. Note that audio is also recorded, which means that using this mode will drain the battery faster.

It should be remembered that in order to get an interesting video, we must work with the camera appropriately before taking a picture. Otherwise, instead of the history of our events, we will get a chaotic video selection.

Image quality

G16 provides the ability to save photos in the following base resolutions:

• L, or 4000x3000,
• М1, or 2816х2112,
• M2, or 1600x1200,
• S, or 640x480

And also in the following formats:

• JPEG,
• RAW (CR2),
• RAW + JPEG.

Pictures in this resolution can be saved in two quality options: good and normal, as well as in several formats with aspect ratios: 4: 3, 16: 9, 3: 2, 4: 5 and 1: 1.

We can modify JPEG files using the "My Colors" option:

• Bright
• Neutral
• Sepia
• Simulate a slide
• Lighten skin tone
• Darken skin tone
• Bright blue
• Bright green
• Bright red
• Manual setting

The latter option allows you to manually add color settings by setting the level of contrast, sharpness and color saturation, the intensity of red, green and blue, as well as skin tones. All of these parameters can be set in the range 1-5. The above settings are not available if we want to save pictures in both formats at the same time (JPEG + RAW).

Changing the strength of noise reduction leads to an even greater blurring of the picture, which follows from this - a loss in the detail of the photo. We must admit that after this the photo takes on a pastel and eye-pleasing appearance, of course, if the user is satisfied with a significant loss of detail in the photo.

White balance

The G16 allows you to set white balance using the following modes:

• Daylight
• Cloudy
• Incandescent lamp
• Fluorescent lighting
• Fluorescent lighting H
• Flash
• Under the water
• Manual mode 1
• Manual mode 2

In each of the above modes, we have the ability to fine-tune the white balance with accent A-B (orange-blue) and G-M (green-purple) in a multistep range.

Outcomes

Here we have reached the end of a detailed review of the Canon PowerShot G16. Now is the time to take stock and give the camera a final assessment.

Build and functionality

The design of the camera is compact and sturdy. As in other G series cameras, it is worth appreciating the high ergonomics. The menu - typical for cameras from this line - is characterized by a fairly clear interface. However, the long rewinding of the entire list of settings in order to get to the desired position is a little hindering - especially when we are not sure which group of settings it is in. My Menu, which allows you to select a few of the most commonly used options, is a very good idea. However, it is a pity that it offers to select only 5 positions. The speed of the camera is at a very high level, using the menu and the photo view mode does not take much time. The available animations (clock, thumbnail highlighting and smart photo selection) show that the built-in microprocessor is working with a bang. The only pity is that this potential was not used for the possibility of high-quality panoramic shooting, as well as photos in 3D.

Autofocus is fast and sharp, so we can take pictures quickly. High shutter speed and a large number of shots, allows you to shoot dynamic scenes. This is a big advance for the G15, where burst shooting was downright awful. The device has a set of interesting filters that we can use not only during photography, but also during video filming. The videos are of good quality, and the creation of clips in slow motion can be used creatively. The only pity is that the sound filter does not work effectively.

New to this model is wireless connectivity. We got the impression that your function is not fully thought out. Of course, we can send our photo to social media. Network. To do this, the camera needs access to a WIFI network (shared access point or via a smartphone connection) and a configured Canon iMage Gateway service. It lacks the ability to control the camera using a smartphone or tablet. Of course, we mean the shooting process itself, viewing photos on a tablet works great.

Once again, we have doubts about the optical viewfinder. At a time when the quality of electronic viewfinders is already at a high level, using a small tunnel viewfinder is inconvenient.

Optics

The conclusions will be short, and there is nothing to talk about. The camera has the same lens that was on the G15. Its characteristics are: poor angular resolution, high distortion, visual vignettes and chromatic aberration. It would be nice if a revised design appears in the next model. The quality itself is too low for today's standards.

The matrix

Although BSI technology was used, presented to us as an advantage, during the operation of the matrix it was rather a disadvantage. Moreover, this matrix is ​​even more noisy than in the G15. On the other hand, the data conversion algorithm that compresses JPEG works perfectly and creates an image that will seem to many to be excellent in quality, so that we get the quality that is not worse than in the G15.

The build and ergonomics of the camera do not differ from the predecessor model. Is the calculation made for the usual buyer or is it a desire to limit the costs of the camera design? We got the impression that we are talking about the second. We see the addition of the WIFi function as something completely common at the moment. New processor and matrix? As far as the processor brings a fresh stream, the matrix also shows how great it is possible not to work on BSI technology. Thinking it over again, we see the G16 as a good proposition (the same is the previous model, that is, the G15) for people buying their first camera. Should I change the G15 to the described model? Our opinion is not.

At the end, here is a list of the most important advantages and disadvantages of the camera:

Advantages

• Convenient focal length range
• Good image resolution in JPEG
• Slight vignetting and coma for long focal lengths
• The ability to record photos in RAW format
• Convenient and intuitive control
• Large LCD screen
• Sharp and fast autofocus
• FULL HD video
• Interesting digital filters
• Easy-to-use functional menu
• HDMI port
• Robust case
• The ability to descend from a distance
• The ability to use an external flash

Flaws:

• Intense Noise in JPEG at Highest Sensitivity
• Relatively high distortion and chromatic aberration at short focal lengths
• Poor lens resolution
• Noticeable vignetting for a wide angle
• Noticeable glare when working in direct sunlight
• Lack of proximity sensor in viewfinder
• Lack of panoramic shooting
• Lack of 3D mode
• Lack of remote control capability when connected to WIFI

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The gap of two years between the penultimate and the latest G1 cameras has led many hobbyists to think that Canon has discontinued these cameras. But it turned out that everything is completely different. On the contrary, Canon not only continued to release compacts, but also made them even better.

The G15 features a new 12.1-megapixel CMOS sensor instead of the 10-megapixel CCD that was found on its predecessor, the G12. It also has a 5x zoom lens and, although the focal length of the lens remains the same, now it has become much brighter. Interestingly, the G15 is much thinner, lighter and more compact than its predecessor, although the technical capabilities have only gotten better. In many ways, the camera owes its diminutiveness to the absence of an inclined screen, which, although it helps when shooting, makes the camera more bulky.

The new Digic 5 sensor and image processor give the G15 superior features such as the ability to record high quality Full HD 1080p24 video, crop images directly in the camera, and more.

The Nikon P7700 compact is a lot like the G15 and is its main competitor. The P7700 offers similar video recording modes and has a long focal length lens. It is important to note that it has a great display but lacks an optical viewfinder and is larger and heavier than the G15. In our review, we will compare the two cameras and the quality of the images taken with them, and decide which of the compact cameras is better.

(tab = Introduction)

Canon PowerShot G15 exterior design

The Canon PowerShot G15 has an interesting design, retaining the retro look of its predecessors from the PowerShot G series. It is much smaller than the G12, thanks in large part to the fact that the hinged screen has been replaced by a 3-inch fixed display that cuts into the camera by 8mm. This is not to say that the PowerShot G15 is very thin, but it is handy and fits easily into a pocket. The dimensions of the camera correspond to the values ​​of 107x76x40mm, and the weight together with the battery is 352 grams. While the previous model had dimensions of 112x76x48mm and weighed 401 grams. As you can see, the G15 is 5mm narrower than the G12.

Nikon Coolpix P7700 is bulkier and more rounded. Its dimensions correspond to values ​​of 119x73x50mm, and it weighs 392 grams with battery and memory card. Due to the fact that this camera is wider, it may not fit in a pocket, and you will have to purchase a case for it. The wider body of the P7700 is due to the hinged screen, which makes the camera bigger.

In terms of styling and physical handling, the G15 is very similar to the miniature version of the G1 X. While the G1X itself is similar to the G12. The upper panel of the G1X and G15 differs only in that the G15 has exposure compensation buttons there. This arrangement of buttons is very convenient when shooting, when you need to tune quickly and accurately. In addition, ISO is now configurable using the control dial on the back.

The flash is completely invisible in the off state, it rises from the upper left corner, and is located at a relatively large distance from the lens. The flash is activated with one click of a switch. The flash is raised and farther from the lens when turned on, reducing the likelihood of red-eye appearing. The flash covers a range of about 7 meters. The camera also has a standard hot shoe that can be used to mount an external Speedlite.

In the upper left corner, 15 settings are configurable, including custom white balance and tracking autofocus. There is also a switch between RAW and JPEG modes. In addition, the new model has a video recording button located in the upper right corner.

As for the presence of connectors in the G15, the camera is equipped with Mini USB and Mini HDMI ports, as well as a connector for connecting an additional RS-60E3 cable for remote control. Unfortunately, there is no microphone port. There is a hot shoe, but it still does not support the full range of Canon Speedlites and those that can be connected will not work automatically, you will have to manually adjust the operation of the external flash. In addition, the camera does not support either GPS or Wi-Fi.

The G15 runs on the same NB-10L lithium-ion battery as the Canon G1 X. According to specs, a single charge lasts 350 shots.

LCD and viewfinder in the Canon PowerShot G15

The PowerShot G15 is equipped with a fixed 3-inch LCD with a resolution of 922k-dot. For many G series fans, it was a big disappointment to abandon the swivel display and return to a fixed display. As mentioned earlier, the fixed screen position makes the camera more compact, while the swivel screen increases the width of the camera. If you are a fan of the swivel display, then turn your attention to the Nikon Coolpix P7700 or Canon's G1 X, although both are heavier and larger than the G15.

The display in the G15 is brighter and clearer, and the image quality during playback is excellent. In addition, you can control the brightness in the menu, it doesn't really help in bright sunlight, but at least you have an optical viewfinder with which it will be convenient to focus under any circumstances.

The optical viewfinder has been a hallmark of all G PowerShots cameras since the introduction of the G1 in September 2000. Of course, there are undeniable advantages to using the viewfinder. You will be able to focus in bright sunlight, you will be able to grip the camera more securely, and, of course, the battery will last for a longer period. As stated in the specifications, if you focus with the viewfinder, then the battery will last for 770 frames, and if with an LCD display, then for 350 frames.

Canon PowerShot G15 lens and image stabilization

The PowerShot G15 features a 5x optical zoom lens with a focal length range of 28mm to 140mm (35mm equivalent), the same as previous models, but now the lens is much brighter, with apertures ranging from f1.8 to 2.8. If we talk about the main competitor, the Nikon Coolpix P7700, then the focal length of its lens is in the range from 28 to 200 mm, and the aperture number is f2.

The advantage of a bright aperture is twofold. Obviously, this allows the G15 to take better photos in low light conditions. You can shoot at an ISO of 200, while on another camera you will have to set the ISO to somewhere around 500. You also have the option to shoot at a faster shutter speed.

Canon PowerShot G15 wide angle at 6.1mm Canon PowerShot G15 telephoto at 30.5

Another advantage of a bright lens combined with a large sensor is the ability to shoot with a shallow depth of field. The G15 sensor is only slightly larger than the typical 1 / 2.3-inch sensor found on other cameras, but that doesn't mean you can't take photos with shallow depth of field. Depth of field decreases with increasing focal length, and since even at a maximum focal length of 140mm, the camera is capable of taking bright pictures, you can safely take pictures and, as a result, get beautiful blur in your photos.

To compare the depth of field in the PowerShot G15 and Coolpix P7700, the camera lenses were set to their maximum focal lengths, 140mm for the G15 and 200mm for the P7700. Both cameras zoomed in well enough, but with the G15 you will have to get closer to get as close as with the Nikon P7700, since the difference is quite significant. The G15 has a brighter aperture when zoomed in at f2.8, while its competitor has an aperture of only f4. In fact, both cameras showed the same result, and it is difficult to say which of them has a greater depth of field, but due to the fact that the G15 is brighter, it has more advantages.

Depth of field. PowerShot G15 @ 30.5mm (140mm equivalent) 100 ISO F2.8 Depth of field. Coolpix P7700 @ 42.8mm (200mm equivalent) 100 ISO F4

For the second shot, the focal length was set to the optimum for portrait photography, so that the head and shoulders were in the frame. The aperture was opened as much as possible, that is, we have f2.8 for the G15 and f3.5 for the P7700. In the photographs of both cameras, the background is slightly blurred, although not as much as it would be if we were photographing on an APS C-type DSLR camera with an equivalent aperture. The background in the photo taken with the PowerShot G15 is blurred better than in the image taken with the Coolpix P7700.

Portrait. PowerShot G15 @ 30.5mm (140mm equivalent) f2.8 ISO 200 Portrait. Coolpix P7700 @ 28.4mm (135mm equivalent) F3.5 ISO 200

The PowerShot G15 lens is equipped with optical image stabilization, which allows you to take clear photos, even at slow shutter speeds, when shooting without a tripod. To verify this, we adjusted the lens and set the value to the maximum telephoto position - a focal length of 140 mm, and then took several photos without using a tripod in shutter priority mode. The shutter speed gradually decreased.

As you can see, from the examples below, I managed to get a sharp image without camera shake at a value of 1/5. Of course, if we were to photograph with the camera mounted on a tripod, we could have set both a slower shutter speed and achieve equally impressive results, but this experiment proves that you can photograph clear photos with a slow shutter speed even without special devices.

100% view, 30.5mm, 200 ISO 1 / 5th stabilization off 100% view, 30.5mm, 200 ISO 1 / 5th stabilization included

Shooting modes in the Canon PowerShot G15

With the G15 set to aperture priority mode, you can choose from values ​​between f2.0 and f8. If you set your camera to shutter priority mode, you can shoot at shutter speeds from 1/4000 to 15 seconds with an impressive maximum flash sync speed of 1/2000. Exposure compensation is available in the +/- 3EV range in 0.3EV steps. The top panel of the G15 has a dedicated exposure dial, but it's all intuitive.

Aperture priority really allows you to choose the optimal F-number, while shutter priority allows you to deliberately choose a slower shutter speed to achieve beautiful motion blur, such as water or racing cars. In addition, thanks to the manual mode, you can adjust both the shutter speed and aperture yourself, determining the ideal combination of values ​​for yourself.

The PowerShot G15 has face detection, and the camera is also capable of detecting lighting levels. The G15 is also able to determine if a person is in motion and if there are strong shadows on the face. For each case, the exposure and flash are adjusted in accordance with the conditions in which the shooting takes place, in addition, the camera may slightly change the tone of colors in the frame, depending on the time of day. All this information is processed by the Digic 5 image processor, which is much more powerful in the new camera than in the previous model. It is capable of detecting more complex scenes and provides better results in a wider range of situations than the G12 - DIGIC 4 processor did.

If you're going to shoot in auto mode, you can completely trust the G15's basic settings, like other newer Canon compacts, the camera is excellent at recognizing scenes and choosing the optimal settings for each shot. In practice, the camera works great in portrait mode, which combines face detection capabilities. The camera detects a face immediately when you point the camera at a person.

If you like to shoot in automatic mode, but want more control over the camera, turn the mode dial to SCN and you have 10 possible shooting options. Like other Canon cameras, the G15 uses the SCN position to use various modes such as High Speed, Manual NIGHT, Panorama, and so on.

With the camera, you can shoot in creative modes, as well as use filters that will give your photos more originality. Among the available filter options and modes, you will find HDR, Fisheye, Miniature Effect, Toy Effect, Poster Effect, Nostalgia, Soft Focus, Monochrome, Color Filters, and more. As with the previous model, operating in HDR mode, the camera automatically combines three shots with different exposures and different tonal ranges into one frame.

Here are some sample images created using the filters, effects, and modes available in the G15.

HDR Nostalgia Effect Fish eye

Toy effect Bright lighting Poster effect

Canon PowerShot G15 technical features

The compact size of the G15 allows you to take it with you all the time by simply putting the camera in your pocket. And the sacrifice of a tiltable LCD for this does not upset many photographers at all. But if you shoot a lot of video or are used to photographing at a low angle, then most likely this innovation will cause you some inconvenience. The G15 is ready to start working approximately one and a half seconds after switching on. The camera has an automatic lens cover that opens as soon as it is turned on. In turn, Nikon Coolpix P7700 is equipped with an external cover that can be lost or forgotten to open all the time. But again, these are all individual preferences.

One of the features of the G Series that makes it attractive to enthusiasts is physical control and the ability to manually change shooting modes and exposure. ISO settings are available on the top panel, where the disc is located with marks of the possible ISO value. The ability to change settings for exposure, aperture, shutter speed, all provide a wide range of possible settings and maximum physical control.

When shooting, the screen offers a choice of two possible focusing options: via the LCD monitor or via the optical viewfinder. It would be much better if the Canon G15 had a sensor that detects the position of the eyes and automatically sets the way to focus. The display has a lot of information and all kinds of settings. Shows information about exposure mode, battery level, number of exposures remaining / movie recording time, ISO and metering mode. As soon as the shutter button is pressed a little, this information will appear on the screen, in addition, you will see the numerical readings of aperture and shutter speed in those modes where they can be changed manually.

The screen displays a histogram, square frame grid and axial electronic level. This information is very helpful when shooting, so I would like to have access to it even when focusing through the viewfinder. But Canon didn’t give us that option. That is, if you want to use the histogram, grid, or level while shooting with the viewfinder, you need to double-press the control wheel to first turn off the display, then return to the starting position and view the data. That is, if you take a lot of photographs, but at the same time carefully monitor each of your shots, you will have to turn off the display all the time, look at what you need, and then turn it on again. And this is another argument in favor of the eye position sensor.

The G15 has the same settings menu as all PowerShot cameras. In fact, the menu consists of tabs with a possible choice of shooting parameters, in addition, there is the so-called "My Menu", in which you can add up to five favorite or frequently used menu settings. But the most commonly used shooting functions can be found in the FUNC menu by pressing the center button on the command dial. Here you have quick access to white balance, exposure bracketing, modes, timer, built-in ND filter, and quality options for photos and videos.

The PowerShot G15 provides a wide variety of settings. The two positions on the C1 and C2 mode dial allow you to save all configuration of shooting parameters, including shooting mode, metering mode, exposure compensation, ISO settings, bracketing, and even zoom position and focus. The shortcut button on the top left of the rear panel can be assigned to one of fifteen settings, including custom white balance, self-timer mode, ND filter and AF lock.

Autofocus in Canon PowerShot G15

The PowerShot G15 has the same three AF ​​modes as the G12, S110 and G1 X :. FlexiZone, AiAF and Tracking autofocus. As before, in FlexiZone mode, the camera focuses on a single area that can be positioned almost anywhere on the screen, and you can also choose from two different sizes for the AF area in AiAF mode. This mode provides face detection if a person was detected in the frame or switch to the traditional nine areas if a person was not detected in the frame.

Tracking AF is displayed as a cross in the center of the screen, which should be positioned on the subject you want to track. After pressing the autofocus button, the camera will try to track the selected subject. The G15 will automatically turn on Servo AF in servo AF mode, allowing continuous autofocus to be corrected. When using this mode, the tracking autofocus worked very well and managed to track the movements of the subjects, keeping them in focus, of course, as long as they were within the focusing range.

The G15 also offers Blink Detection when shooting portraits. If you use this function, every time a person blinks in the frame, the system will notify you about it. In practice, this is indicated by a flashing face icon in the corner of the screen, as a warning immediately after a bad shot. This function will only work if you have made at least one successful shot of this person before.

By pressing the left button on the rear dial, you can select manual focus mode. When focusing manually, you can use the wheel to adjust the focal length, and the zoom will be indicated on the screen. Even when the object is very close, or even if you are a few meters away, it is difficult to determine how sharp it is. Therefore, manual focus is best used for close-up shots of static subjects. If you find it difficult to shoot manually, you can get additional help. The G15 has special options to help you achieve precise manual focusing. One of these options is focus mode, in which the camera takes three frames: one with the focus settings that you manually set, two other frames when focusing a little closer and further from where you focused. This way, when viewing photos, you will be able to choose the clearest and sharpest frame.

Continuous Shooting with Canon PowerShot G15

Of course, the Canon G15 is more than just a point-and-shoot camera, it has a lot of features not found in conventional compact cameras, and continuous shooting is no exception. Continuous shooting with the G15 is much better than a regular compact, but worse than Canon. The G15 has a continuous shooting speed of about 2.1 fps without autofocus, and only 0.9 fps with autofocus in Live View mode. Yes, this is undeniably a very weak figure, and owners of the G15 can only take comfort in the fact that this speed is slightly better than the continuous shooting speed of the G1 X, which, at the same time, has a larger sensor.

While shooting continuously and not very fast, the camera has a high-speed HQ burst mode that ramps up to 10 frames per second, ten frames so you can capture one second of action. After 10 frames are taken, the camera continues to take pictures as usual. Also, keep in mind that the burst speed will be slower if you shoot with a memory card that already contains photos.

Canon PowerShot G15 sensor

The PowerShot G15 has a 12-megapixel CMOS sensor and a Digic 5 image processor. The previous model had a 10-megapixel sensor and a DIGIC 4 processor. The physical size of the sensor remains the same - 1 / 1.7 inch, the same size and sensor of the PowerShot S110 ... The 1 / 1.7 "sensor is slightly larger than the 1 / 2.3" sensor found in most compact cameras. At the same time, the Nikon P7700 has the same sensor size as the PowerShot G15.

The G15's ISO sensitivity ranges from ISO 80 to 12800, and the shutter speed ranges from 15 to 1/4000 sec. The camera saves JPEG files in one of two selectable compression settings. The best JPEG format is Superfine, and you will get images of about 5 and 6 MB in size.

To see what kind of photos the PowerShot G15 takes in practice, check out examples of images captured with the Canon G15 in one of the sections of our article, as well as check out the comparison of the quality of images taken with the Canon G15 and Nikon P7700 at different ISO values.

(tab = Shooting video)

Movie recording with Canon PowerShot G15

In the previous model, you had the ability to shoot 720p video, now you can shoot even better and clearer Full HD video at 1080p. The G15 gives you the flexibility to choose your preferred resolution and frequency by providing options like 1080 / 24p, 720 / 30p, or 640x480 / 30p. In addition to the Miniature Effect, which can be used during video recording, you will have the opportunity to select special effects and functions designed exclusively for video recording. The G15 is equipped with Super Slow, which allows you to use incredible frame rates, so you can get stunning slow-motion effects in the future. So you have the ability to shoot at 640 x 480 at 120fps and 320 x 240 at 240fps. When you shoot at this rate, you will get an image that will play back 4 times or 8 times slower, respectively. When shooting with Miniature Effect, you can record videos at 640x480 or 1280x720. The video below was shot at 640x480 in one minute, but at 5x speed up, which makes a minute recording play back in 12 seconds (there are also 10x and 20x speedups).

Miniature effect with 640 x 480 resolution and 5x acceleration

Unlike the PowerShot G12, you can use the zoom while shooting with the G15, and at the same time the camera will operate with autofocus and tracking. On the downside, unlike DSLRs, you don't have the option to choose the recording rate, and you don't have the option to manually adjust the exposure, but there are certain frames in the length of your video clip. The video can last no more than half an hour, or it will last until it reaches 4 GB, if you shoot in 1080p and 720p, then 4 GB you will get in 14 and 20 minutes, respectively.

Sound is recorded on the built-in stereo microphone, but unfortunately there is no external microphone jack like in the G1 X. Now let's take a look at some examples of video recordings made with the G15. Let's evaluate the capabilities of the camera and the quality of the image.

Sample video taken with Canon PowerShot G15 # 1: Shooting outdoors, cloudy, without a tripod

This and all videos were shot at 1080p24 in PowerShot G15 mode. Even though the lighting is not very strong, the exposure is fine and the image stabilization is excellent. Thanks to the built-in stereo microphone, good sound is obtained, while the sound from autofocus and lens operation is completely inaudible.

Sample video shot with Canon PowerShot G15 Sample # 2: Outdoors, sunny, using a tripod

So the shooting was carried out using a tripod, image stabilization was disabled. In general, despite the too bright sunlight, the image turned out to be of high quality. Auto exposure did a good job of changing brightness. Again, autofocus and lens operation are not audible when zooming.

Sample video shot with Canon PowerShot G15 # 3: Indoor, low light, no tripod

The lighting in the room is very bad, therefore, as a result, we see a little noise in the image. Autofocus in the G15 does not work immediately at the beginning of shooting, and this is the first time. Auto exposure control is good, but white balance is not very good, especially at the end of the recording

Sample movie shot with Canon PowerShot G15 No. 4: Continuous autofocus

First, the camera focuses on the cup of coffee, then on the bar, and then returns to the cup. As you can see, autofocus works very clearly and quickly, the transition is smooth and beautiful. The performance is impressive. In addition, despite poor lighting, the image is clear and sharp, with good color rendition.

(tab = Performance: Comparison with Nikon P7700)

Canon G15 vs. Nikon P7700 Image Quality Comparison

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To compare the actual performance of the Canon PowerShot G15 and Nikon Coolpix P7700 compact cameras, the photos were captured a few minutes apart using the best JPEG settings on both cameras.

The focal length of the lens was set to its widest angle, 6.1mm in the G15 and 6mm in the P7700. At the same time, the field of view of the cameras turned out to be almost the same.

Image stabilization was turned off, since the shooting took place using a tripod, the rest of the parameters remained at their default values.

The image above was taken with a Canon PowerShot G15. The camera was set in aperture priority mode with f4 aperture and ISO 80. Exposure compensation has been adjusted to -2 / 3EV. We did the same with the Nikon Coolpix P7700, that is, the exposure was adjusted in the same way. We have achieved the most similar results in terms of lighting and focal lengths to objects.

So, what do these photos tell us, and what conclusions can be drawn about the image quality of the G15? In general, the photos are very good, it is a little frustrating that due to exposure correction, the images in some places are too lightened and the picture came out too bright. Images taken with the Coolpix P7700 appear darker and that doesn't look very nice either. Overall, we see a good level of detail in photos taken with both cameras. And most importantly, the quality of these images is much better than the quality of images taken with a conventional soap dish with a 1 / 2.3-inch matrix. On the other hand, the images are not as attractive as if you were photographing with a DSLR, but this is not surprising.

The first shot seems too soft, especially if you pay attention to small details, however, we do not notice noise and artifacts. The good news is that the house on the hill is clear and sharp, with a pronounced outline. In this case, the P7700 took a sharper shot, but there is some noise on the hill in this image.

Canon PowerShot G15, f4, ISO 80 Nikon Coolpix P7700, f4, ISO 80

The second image also looks blurry, especially in the lighthouse area, the edges of the houses and the island appear to be a little highlighted. The image captured by the P7700 looks a little dimmer.

Canon PowerShot G15, f4, ISO 80 Nikon Coolpix P7700, f4, ISO 80

In the third image, we can see that the G15 performed excellently. The image is detailed, bright, without noise and artifacts. Again, it doesn't appear to be as clear or sharp as the competitor's image, but for that it is not as grainy.

Canon PowerShot G15, f4, ISO 80 Nikon Coolpix P7700, f4, ISO 80

The fourth image looks the most attractive. This picture turned out to be the clearest and sharpest, you can see that the focusing worked great. The tonality and detail are conveyed at the highest level.

Summing up our experiment, we should also summarize the comparison of image quality with Nikon Coolpix P7700. Nikon has shown very decent results, the image quality does not lag behind the photos taken with the G15, moreover, the images appear sharper, fine details are seen better. Some images showed slight graininess and the overall brightness of the photographs was lower than that of the Canon camera.

Comparison of noise level in photos of Canon PowerShot G15 and Nikon Coolpix P7700

To compare noise levels, the PowerShot G15 and Nikon Coolpix P7700 were taken under exactly the same conditions, just a few minutes apart. In this case, the best JPEG quality was used for both cameras.

The focal length of the lens was set to its maximum wide angle, that is, 6.1mm for the G15 and 6mm for the P7700. At the same time, the review turned out to be almost the same.

Image stabilization was disabled because the shooting was done using a tripod, the rest of the settings remained at their default values.

The image above was taken with a Canon PowerShot G15. The camera was set in aperture priority mode at f2 and sensitivity set to ISO 80. Exposure compensation is set to + 1EV in order to get a brighter image.

(Pictures taken with the PowerShot G15 are on the left, Nikon Coolpix P770 on the right)

At ISO 80, the PowerShot G15 performs reasonably well, showing some structure on the wall, which can be mistaken for noise, but it is not significant at all. The image taken with the Coolpix P7700 looks much clearer with no noise.

At 100 ISO, we see that the picture has become clearer, the text is more readable, the changes are insignificant, but noticeable. The image taken by a competing camera has barely changed.

At 200ISO, the detail is increased, and now the text can be accurately read. The noise level of the G15 remains the same, which cannot be said about the other camera. The P7700 is now grainy.

The noise level at 400 ISO started to increase and is now more noticeable, especially at the edges between the slab and the wall. Overall, the G15 is good at ISO 400, and values ​​in the ISO 80-400 range can be used for everyday shooting. The picture of the P7700 at this stage starts to look unattractive.

At 800 ISO, the image deteriorated further. Sharpness at the edges fades, and the noise increases.

At 1600 ISO, the text becomes completely illegible, the details of the image become incomprehensible. In the P7700 image, noise is already very evident.

At ISO 3200, the entire image turned into a blurry picture, in which it is difficult to make out not only the text, but the whole picture.

Of course, at ISO 6400 and 12800, the photos looked very grainy. If you look at the photo as a whole, it doesn't look so awful, but if you just zoom in a little, it immediately becomes obvious how dirty and completely unattractive the image is.

Comparing the G15 to the Nikon Coolpix P7700, the first shots of the PowerShot G15 looked dull and blurry. Photos of the P7700 at ISO 80 and 100 look very crisp and sharp, with great detail. At ISO 200 and 400, Nikon photos look noisy, and the higher the sensitivity, the pictures become grainy. This becomes especially noticeable at 1600ISO. Summing up, it is fair to say that Nikon Coolpix P7700 showed the best result. Photos taken with this camera, although they began to become more noisy at lower ISO values, were initially clearer.

(tab = Sample Images)

Sample images taken with the Canon PowerShot G15

The photos below were taken with a Canon PowerShot G15 in auto mode. The settings in the G15 have been adjusted to the best possible way to get the best possible shots. White balance was set automatically, and image stabilization was enabled for shots taken without using a tripod.

All images below are available for more detailed viewing on Flickr.com. To view the original, just click on the photo.

Landscape: 2.99MB, auto, 1/500, f2.8, ISO 80, 6.1-30.5mm @ 6.1mm (28mm equivalent)

Landscape: 3.14MB, auto, 1/500, f2.8, ISO 100, 6.1-30.5mm @ 6.1mm (28mm equivalent)

Landscape: 3.39MB, auto, 1/1250, F2.8, ISO 200, 6.1-30.5 @ 30.5mm (140mm equivalent) Indoor: 2.98MB, auto, 1/320, f2.8, ISO 400, 6.1-30.5mm @ 6.1mm (28mm equivalent)

Indoor shooting: 3.10MB, auto, 1/1250, F2.8, ISO 800, 6.1-30.5 @ 30.5mm (140mm equivalent)

Indoor: 2.71MB, auto, 1/15, f1.8, ISO 1600, 6.1-30.5mm @ 6.1mm (28mm equivalent)

(tab = Conclusions)

conclusions

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The Canon PowerShot G15 is the latest camera in the PowerShots G series for enthusiasts looking for a compact and lightweight camera that captures good, high-quality images.

The PowerShot G15 replaces the G12, which was released back in September 2010. As you know, two years is quite a long time in the digital world, so Canon had to make the G15 an even more advanced camera than its predecessors in order for the new model to outperform its competitors.

In addition to ordinary point-and-shoot cameras, which are the main competitors of the PowerShot G15, there are also pseudo-mirror cameras with interchangeable lenses, the popularity of which is constantly growing all over the world. Of course, a compact camera is more affordable, and besides, not everyone wants to worry about interchangeable lenses, so we can say that soap cameras still have their own consumer market, with their own requests and requirements. I must say Canon has done a very fruitful job in meeting the requirements of its customers.

The G15 has an excellent bright f1.8-2.8 lens and excellent OIS. Working together, these components enable you to not only get great low-light shots, but also allow you to focus over long distances without losing quality. Plus, when you zoom in, you can get a fairly shallow depth of field in portrait and macro photography, which is nearly impossible with a conventional compact camera.

But before we announce the final verdict for the Canon PowerShot G15, let's summarize the comparison of this camera with its main competitor - the Nikon Coolpix P7700.

Comparison with Nikon Coolpix P7700

Nikon Coolpix P7700 is an interesting compact camera model. Many amateur photographers can choose this particular camera due to a number of very weighty arguments. For starters, the P7700 has a 3-inch, 921k-dot, swivel LCD display. This, of course, makes the P7700 bigger and heavier, but it makes video recording more convenient.

The P7700 has a multi-function dial that can be used to adjust Sensitivity, White Balance, Quality Adjustment and Bracketing. It also has two programmable function buttons and three custom mode positions, while the G15 has only two. In addition, the P7700 has controls on both the front and rear.

Both cameras have matrices of the same size, namely 1 / 1.7 inches, and a resolution of 12 megapixels. Our comparisons of camera performance showed that the quality of images captured with the Nikon Coolpix P7700 was better than that of the Canon PowerShot G15. Both cameras have the same focal length at a wide angle, namely 28 mm, but the telescopic value for the G15 is 140 mm, while for the P7700 it is 200 mm. However, the G15 is equipped with a brighter lens, the aperture is f1.8-2.8, while the P7700 is f2-4, which allows lower ISOs to be used under the same shooting conditions.

Both models have a standard built-in flash, but the P7700 lacks a viewfinder, while its competitor, the G15, has an optical viewfinder. Summing up, it is important to note the following - Coolpix P7700 is larger and heavier, has more physical control capabilities and has more options for adjusting the camera, it does not have such a bright lens, although the telescopic value of the lens is larger, it also lacks an optical viewfinder. When purchasing this or that camera, decide for yourself what opportunities are paramount for you and what you can sacrifice, and then it will be easier to make a choice in favor of G15 or P7700.

Final judgment for the Canon PowerShot G15

The PowerShot G15 is a worthy successor to the G12. Canon has done a great job of monitoring the market and perfecting its compact with a great sensor and a good image processor in the camera, and also abandoned the swivel display to achieve a more compact camera.

Of course, some points were not taken into account. The viewfinder is present in the model, but the sensor that determines the position of the eyes is sorely lacking. As for the display, it could be made touch-sensitive, this would make it possible to install touch focusing on the camera. Adding Wi-Fi and GPS would also add more edge to the camera over many competitors.

Despite these shortcomings, the G15 is a compact camera with which you can take stunning, detailed and clear photos and videos even in low light conditions. A high-quality large matrix, an excellent image processor and, of course, a bright lens will help you with this. Make shooting more fun with the original functions and effects that this camera is equipped with. In addition, all of these impressive technical and functional capabilities are housed in a compact and stylish package.