Gorodets painting in stages for children. Methodical manual for lessons from "Gorodets painting". Clay product

TOOLKIT

to art lessons

"Gorodets painting"

atreader primary grades Rudakova Alla Nikolaevna

MBOU SOSH No. 4, city of Anapa,

Krasnodar region

History

Gorodets painting keeps its origin from Gorodets , which had their own peculiarity: the crest and the bottom. To decorate the Donets, Gorodets craftsmen used a peculiar technique - : The figures were cut from wood of a different species and inserted into a corresponding recess in shape. Inserts made from dark stained , stand out in relief on the light surface of the bottom. Thus, having only two shades of wood and an uncomplicated instrument, craftsmen turned the surface of the bottom board into a real picture.

Later, the masters began to use tint for visual wealth, a bright combination of yellow with dark oak, the addition of blue, green, red colors made the bottom even more elegant and colorful. A well-known master of inlaid Donets with tint was .

The need to increase the production of spinning Donets prompted the craftsmen to simplify the decoration technique. From the second half the complex and laborious technique of inlay began to be replaced simply by carving with a touch-up, and since the 1870s, the picturesque style of decoration prevails on Gorodetsky Donets.

Peculiarities

In the Nizhny Novgorod paintings, two types can be distinguished - Pavlovsky and Gorodets paintings, with which they decorated chests, arches, sledges, children's furniture, spinning wheel bottoms and many small household items. The Gorodets style is distinguished, first of all, by its content. In the paintings, genre scenes give the main impression. All these images are conventional in nature, very free and decorative in form, and sometimes border on ... This is everyday life , , a magnificent parade of costumes. A significant place is occupied by floral motifs - lush "rose trees", painted broadly and decoratively. By expression the master became a true painter. V.S.Voronov, who wrote that "the Nizhny Novgorod style presents us with the purest version of genuine pictorial art, which has overcome the framework of graphic captivity and is based solely on the elements of painting ..." decorative images of birds and animals.

There are exotic and ... Especially often the image of a hot, strong horse or rooster in a proud, warlike pose. Most often these are paired images, facing each other. The Gorodets painting master loves flowers. They are scattered everywhere on the field of paintings with cheerful garlands and bouquets. Where the plot allows, the master willingly uses the motif of a magnificent curtain, caught up with a cord with tassels. The decorativeness of the motifs is emphasized by the decorativeness of colors and techniques. Favorite backgrounds are bright green or intense red, deep blue, sometimes black, on which the multicolor of Gorodets color splashes especially juicy. In describing the plot, whitened tones give rich shades of color transitions. Painting is carried out with a brush, without a preliminary drawing, with a free and juicy stroke. It is very diverse - from a broad brushstroke to the finest line and masterly stroke. The work of the master is fast and economical. Therefore, it is very generalized, simple in techniques, free in the movement of the hand. Gorodets flower paintings, multicolored and expressive works of masters A.E. Konovalov and D.I.Kryukov are characteristic.

History of Gorodets painting

The painting, which is now called Gorodets, was born in the Volga region, in the villages located on the banks of the clear and bright Uzory river. In the villages of Koskovo, Kurtsevo, Khlebaikha, Repino, Savino, Boyarskoye and others. In the 18th century. a center for the production of spinning donuts and toys appears. The peasants took their products to sell to the fair in the village of Gorodets. Therefore, the painting made on these products was named Gorodetskaya.

Explanatory dictionary Russian language V.I. Dalia explains that the word "bottom" means "a plate on which a spinner sits down, sticking a comb into it." After finishing work, she took out the comb, and hung the bottom on the wall, and it decorated the hut. Therefore, craftsmen paid special attention to the decoration of the boards with carvings and paintings. The spinning wheel was a faithful companion throughout the life of a peasant woman. Often served as a gift: the groom gave it to the bride, the father to the daughters, the husband to the wife. Therefore, the bottom was chosen elegant, colorful, for everyone's joy and surprise. The spinning wheel was inherited, it was protected and stored.
To decorate the boards, the craftsmen used a peculiar technique - inlay, which is very rare in folk art. The figures were carved from wood of a different species and inserted into correspondingly shaped indentations. These inserts, made of dark bog oak, stood out in relief on the light surface of the bottom. With two shades of wood and using the simplest instrument, folk craftsmen turned the bottom into a work of art.
In the future, the masters also began to use Donets tint. The bright combination of a yellow background with dark oak, the addition of blue, green, red colors made it elegant and colorful.
From the second half of the XIX century. the complex and time-consuming technique of inlay was replaced by staple carving with tint, and then the pictorial style of decoration began to prevail.
The subjects of the old Gorodets painting were images of birds, flowers, riders on horses, young ladies and gentlemen, scenes from folk life.
Nowadays, the traditions of old masters strive to revive and enrich folk craftsmen working at the Gorodetskaya Painting factory in Gorodets. Among them there are laureates of the A. I.E. Repin. This is L.F. Bespalova, F.N. Kasatova, A.E. Konovalov, L.A. Kubatkina, T.M. Rukina, A.V. Sokolov.

Secrets of Gorodets craftsmen

Tools and materials. For painting, it is desirable to have three brushes: art squirrel (No. 2 or No. 3), column art (No. 1 or No. 2) and flutes (No. 2 or No. 3). A flutz is a flat, soft hair brush that is used for underpainting and framing.
Nowadays, Gorodets artists paint products with oil and tempera paints. It is better for schoolchildren to use gouache for this, since Gorodets painting is multi-layered, and gouache paints dry quickly and can be applied one on top of the other. You need to learn to draw on thick white paper.
It is best to have a set of 12 colors of gouache, of which you will need eight: black, white, scarlet, kraplak red (cherry), cobalt blue light (bright blue), yellow, chromium oxide and red iron oxide. One more paint is also required - cinnabar (bright red), but it is not included in the set.
To obtain color range Gorodets painting, it is necessary to mix paints. In addition to those that are in the gouache set, you need to get four new paints: light blue, light pink, light ocher and Gorodets green (Fig. 1).
To get light blue, a little cobalt blue light (bright blue paint) is added to the white paint (zinc white). Light pink is obtained by mixing white paint with cinnabar or white with scarlet. For light ocher, take light yellow and slightly red iron oxide. Gorodets green paint is obtained by mixing yellow gouache, chromium oxide (dark green paint) and red iron oxide. The result should be a warm green marsh paint. All paints obtained must be creamy.
To mix new paints, take clean gouache jars. To prevent the paints from drying out, you need to add a little water to them as necessary.

Elements, plots and techniques of Gorodets painting.

At the beginning of the training, it is very important to learn how to hold the brush correctly. It must be in a strictly vertical position relative to the work (Fig. 2). The elbow is fixed, and the hand is completely free to perform continuous plastic strokes, both on smooth planes and on spherical or cylindrical surfaces. In the process of work, you can lean on the protruding little finger, lightly touching the product with it.

Ornament occupies a significant place in wood painting.

Ornament is a pictorial, graphic or sculptural decoration made from a combination of geometric, plant or animal elements.

The main elements of Gorodets painting are circles, brackets, dots, drops, arcs, strokes, spirals.

It is important to understand the difference between the concepts of "pattern" and "ornament".

Pattern - This is a drawing that is a combination of lines, colors, shadows (Fig. 4). They, brought into a certain system, rhythmically ordered, will constitute an ornament (Fig. 5). Mastering the painting of the pictorial type, to which Gorodetskaya belongs, one must remember that it is performed without first drawing the outline of the drawing.

Gorodets painting is carried out in three stages (Fig. 6).

The first is underpainting , i.e. circular motion with a brush, applying one color spot. Underpainting is carried out with a wide flat brush - flutes or squirrel No. 3. The main thing is to learn how to take the right amount of paint on the brush. If there is not enough paint, then the underpainting will turn out to be pale, expressionless; if there is a lot, then when it dries, the paint will begin to flake off.
Second stage - shading (or shade), i.e. applying brackets. To draw the bracket correctly, at first you just need to lightly touch the paper with the tip of the brush and draw a thin line; press hard on the brush towards the middle, and finish the bracket again with a thin line. Make sure that the brush is perpendicular to the sheet of paper.

The third stage is reviving (or dilution), i.e. fine cutting of ornamental forms with whitewash. The liveliness is always applied to plain silhouettes, which gives them some volume.
Mastering Gorodets painting begins with writing flowers, which are depicted mainly in a circle.

Gorodets flowers are diverse

in color and shape.

Flowers in Gorodets painting are a symbol of health and prosperity.

Buds ( rice. 7) - a kind of Gorodets flowers. First, apply the main color spot (underpainting) in a circular motion with a brush. Then they proceed to the detailed development of the ornament (shade). It is performed in black, burgundy or kraplak red. The development of the bud, the movement with a brush, the application of one color spot. The shape of the bud depends on how the brackets are located.

It can have one or more parentheses. If there are a lot of brackets, you need to start drawing with the smallest one, gradually increasing them in size and bringing them closer to the edge of the underpainting. It must be remembered that the buds are always small in size. At the end, whitewash is applied to the revitalization.

Kupavka (fig. 8) - the most widespread flower in Gorodets ornament. Her underpainting is larger than that of the bud. They begin to paint with a small circle along its edge, then make a bracket inside the circle. On the edge of the underpainting, brackets are drawn, in shape the same as the parenthesis inside the underpainting, only of a smaller size. Brackets along its edge are drawn, starting from the center, gradually reducing them in size to the core. The final stage of painting - revitalization is performed, as a rule, with whitewash. The application of revitalization requires very careful and precise execution, so it must be done with a confident stroke with a thin brush.Rosan (Fig. 9) reflects the main features of a flower, ie. has petals and a pronounced center. Silhouette in the form of a circle. The size may be larger. The center of the flower is drawn in the middle. The rose tree in Gorodets's painting is surrounded by brackets - petals of the same size, the color of which coincides with the color of the middle. The technique of painting the brackets is the same as for the kupavka.
The development options for revitalization are so diverse that it is difficult to name even the most common ones. Gorodets artists use dots, brackets, drops, spirals.
chamomile (Fig. 10) the flower is not complicated in its technique of execution. Lightly touch the surface of the paper with the tip of the brush, leaving a thin mark on it. Then, without looking up from the paper, quickly apply and lift the brush. The result is a blob stroke - thin at the beginning and wide at the end. Like a rose, it has a core, only drop petals are drawn around it.
the Rose (fig. 11) the most complex flower. The painting begins with an underpainting - the main volume of a flower-circle, a central rounded petal is added to it at the bottom, smaller petals are placed behind it in a circle to the very core, which occupies the center of the upper part of the flower.

After the silhouette of the flower is created, they begin to develop it: the elements of the central part are limited by a large bracket and turned to the core. The arch-bracket and the core in the upper part of the flower are painted in black, burgundy and red kraplak. The edges of the petals can be outlined with the same paint as the core.
The hardest thing about a rose is reviving. Inside the arc-bracket, first draw a small bracket with a linear cut. Then two to four drops are drawn on both sides of the arc, depending on the free space inside the arc. Small brackets are drawn outside the arc. Stamen dots can be drawn inside the parenthesis arc.

Gorodets leaves (fig. 12) are very diverse in shape, size and color. They are almost always arranged in groups of five, three, or two leaves.

A simple Gorodets leaf is depicted as a pumpkin seed. A more complex one is written like this: they draw a smooth arc with a brush and connect it with a curved line, making sure that the sheet at one end remains wide. The leaves are always wide, round and spread out.
Leaves are depicted in two steps: with underpainting and reviving. If the underpainting is done with Gorodets green paint, then the revival is performed with black paint, if with Gorodets dark green paint, then whitewash is added to the black revives.

Gorodets bird (Fig. 13) is a symbol of family happiness. Birds are depicted in different options: this is a proud peacock, and a frowning turkey, and a cocky cock, and fairy bird... They begin to write them with a smooth line depicting the bend of the neck and chest, then a line is drawn that determines the shape of the head and back, then the line of the wing, filamentary beak and legs are determined. Most often, the body is made in black, the wing is painted over with Gorodets green paint. The tail is written in different ways, for example, it is limited on both sides by lines that define its silhouette and painted over. This is best done in scarlet. In another case, each tail feather is drawn in two colors. The development of birds begins with the head and ends with the tail. The revives are made with whitewash, applying thin strokes.

Gorodets horse (fig. 14) - a symbol of wealth. It is mostly black in color, with a small head on a sharply curved neck and a neatly combed mane. Masters portray him in several ways. Some free swinging strokes write the outline of the entire figure and only then paint over it. Others build the figure of a horse with color spots, starting with the largest vertical element - the chest and neck. The outlines of harness and saddle, back and abdominal parts of the body are added to them. The plane bounded by the harness and saddle lines remains light in this version. Most often, the saddle and harness are made scarlet, and the details of the head and tail legs are made with whitewash.

Composition in Gorodets painting

All works of art are created according to the laws of composition, non-observance or ignorance of which can lead to a violation of harmony. Composition (from Lat. Compositio - arrangement, composition, connection) - the construction of a work of art, the ratio of its individual parts (components), forming a single whole.
For the composition of works of decorative and applied art, the main thing is the unity of content and form. Another, already specific feature is the correspondence of the form of the work decorative arts its specific purpose.
To a large extent, the nature of the composition is determined by the rhythm. Rhythm is a uniform alternation of elements of a drawing, contributing to the achievement of clarity and expressiveness of the composition.
The rhythmically organized drawing easily turns into an ornament - the basis of the composition. But ornament is not only a multiple repetition of similar elements of the pattern. A beautiful and clear drawing of the details of the overall silhouette is very important.
The artist's work on a new work begins with the choice of a theme in accordance with the purpose of the product. A well thought out compositional scheme is the basis for creating a work of art. Start by sketching a life-size compositional diagram. It is not recommended to draw a drawing for a quarter or half of the product. When developing a decor, it is necessary to determine which part of the product will carry the main ornamental and color load.
When studying Gorodets painting, work on the topic

"Composing" is carried out in three stages.

I. Study of compositional techniques in Gorodets painting.
II. Development of a sketch of the future product.
III. Making a sketch in full size.
Study of compositional techniques in Gorodets painting. Characteristic feature in the subject compositions of the spinning bottoms there is an image of a horse and a rider. A galloping horse with a proudly raised head was usually placed in the center of the composition.
The image of the horseman in folk art is familiar to icon-painting artists (George the Victorious, Dmitry Solunsky, etc.). On the carved bottoms, kept in museums, most often there is a composition depicting two riders on rearing horses. The riders are located on both sides of the flower-tree, from the top of which a swan takes off. On the lower halves, the Donets masters usually depicted genre scenes of festivities of gentlemen with ladies, hunting scenes, etc. In the 60s. XIX century. in the painted bottoms, the same compositions were used. By the end of the XIX century. folk craftsmen began to write genre pictures, scenes of festivities. Later, the leading storyline of the Donets, included in the dowry, was an illustration of wedding ceremonies: a bride riding in a carriage, a bride, a meeting of the groom.
The brothers Lazar and Anton Melnikov were the first to write on the bottoms of kupavki and buds, brightly colored birds and cockerels. They also worked out the poses of horses and riders: the horse was certainly drawn with long legs, and its hind leg was necessarily tucked in with a hook. Modern masters also continue to paint horses in Melnikov style.

By the end of the XIX century. a characteristic form of floral ornament has developed with certain elements: these are buds, roses and a flower kupavka, which "endlessly repeat in various versions. In the center of the compositional plane, artists place the main image: a bird, a horse, a person, a group of people or a floral motif.

Folk masters paint faces in the same manner - in the form of a white circle, on which their features are marked with thin black lines. Hairstyles for both men and women are distinguished by great sophistication, but only black is used in their coloring. In the image of the figures themselves, a planar color scheme is used, in which the main large spots (skirts, jackets, jackets, trousers) are painted without a contour, in the form of a monochromatic colorful silhouette. The favorite decorative motif in the art of Gorodets masters is bright flowers and decorative green leaves, which give the painting a special charm.

Traditions of subject-based Gorodets painting are preserved and continue to develop at the Gorodetskaya Painting factory. Modern artists paint more than 50 items of products: decorative panels, chests, boxes, kitchen cabinets, shelves, cutting boards, bread bins, salt shakers, sets of stands, as well as toys, children's furniture.

2. After the location of the ornament has been found, we select the main compositional center, the proportional ratio of the parts has been decided, it is necessary to find the color solution of the composition. Often, children, seeing the multicoloredness of the Gorodets painting, think that they can use the entire set of paints. But, having examined their sketches and remembering the laws of color science, they come to the conclusion that the layout of local color spots obeys only one thing - the general gamut.

3. Having compiled the composition and choosing the color, you can proceed to the detailed drawing of the ornament. The development of the composition of the product ends with the design of the frame. Gorodets craftsmen devote to this great attention, as the frame adorns any product. It is performed both in one color (usually scarlet), and in several.

Making a sketch in full size.

Before processing wood for painting, it is necessary to familiarize students with its basic properties.
Wood is an excellent ornamental material for creating arts and crafts.
Linden, aspen, alder wood is widely used for painting. Linden is considered the best of them for painting. It absorbs moisture and is therefore well tinted with aqueous solutions and paints.
Aspen wood is characterized by its softness, texture uniformity, whiteness and purity. One of its important properties is lightfastness: it does not turn yellow for a long time if it is indoors. Alder wood is soft, light, well cut, warps little, easily pickled and polished.
An important characteristic of wood is color. Any wood from a freshly cut tree, as a rule, has a uniform color throughout the cut. But over time, the wood becomes darker. This must be taken into account in the work. For example, alder, slightly tinted with yellow paint, will still have a reddish background. And if this circumstance is not taken into account, then the layout of colors in the ornament will not be in harmony with the general tone of the background, which always has a warm shade.
In painting lessons, most often you have to deal with plywood, so you should describe its properties in more detail.
Plywood is mainly used, consisting of three, five and seven sheets. Plywood layers are glued together with waterproof glue. Their number is always odd, so plywood does not warp. Layers of plywood so that the direction of the fibers in the layers to be glued cross each other at right angles. This gives the plywood special rigidity and strength.
Immediately before painting, the selected workpiece should be processed. It is sanded with a sanding paper (along the length of the fiber), and then covered with starch paste. After it dries, the workpiece must be sanded again.
The painting on the product is carried out in a strictly defined sequence: first, the central part of the composition is painted, and then the floral ornament is performed. After all the underpainting is done, they should be shaded with dark colors. The painting is finished with white and yellow paint.
If the sketch provides for the background, then the surface of the product must be tinted with the required color. Most often, the following colors are used for the background: light and dark ocher, cinnabar and scarlet, less often black. The color scheme for products made with a background is completely different than for products made without it.
If the background is made with light and dark ocher, the color scheme of the composition should be brighter, and vice versa, if cinnabar or scarlet color was used for the background, then the scale is muted. On a black background, white or yellow is used for shading. For the background, it is best to use brushes number 5 - 8, so that the paint lay down more evenly.
After the painting is finished, it is varnished. Before this, it is necessary to familiarize students with the types of varnishes, general rules varnishing. Each next layer of varnish can be applied only after the previous one has dried. The more coats of varnish, the longer it takes to dry between each coat. After each coating, the surface of the product is treated with a fine-grained abrasive paper. This alternation of operations is necessary for better bonding of the varnish layers and obtaining a mirror surface. A tampon for coating products with varnish is prepared from a rag of any fabric, except for fleecy.
To consolidate the material covered, expand horizons and educate artistic taste, as well as in search of plots, it is necessary, if possible, to organize excursions to museums and exhibition halls.

Literature:
Baryshnikov A.A. Basics of composition. M., 1951.
Boguslavskaya I. Ya. Good hands skill. Leningrad, 1976.
Borodulin V.A. Artistic wood processing. M., 1986.

In the neighboring villages of this region (Kurtsevo, Koskovo, etc.), peasants have long decorated their houses with amazing paintings for shutters, spinning wheels, lockers, sledges, and children's toys. In the surrounding villages of this region (Kurtsevo, Koskovo, etc.), peasants have long decorated their houses with amazing paintings for shutters, spinning wheels, lockers, sledges, and children's toys.

On the painted Gorodets products you can see birds, horses, scenes of tea drinking, hunting, images of young ladies and gentlemen talking. These scenes are decorated with outlandish flowers: bright roses, kupavki, green twigs. On the painted Gorodets products you can see birds, horses, scenes of tea drinking, hunting, images of young ladies and gentlemen talking. These scenes are decorated with outlandish flowers: bright roses, kupavki, green twigs.

On the shortest summer night on the holiday of Ivan Kupala, according to legend, special flowers and herbs bloom, which have healing powers. On the shortest summer night on the holiday of Ivan Kupala, according to legend, special flowers and herbs bloom, which have healing powers.

All objects are decorated with these flowers. All objects are decorated with these flowers. Compositions of roses and kupavka can make up a separate composition or complement the subject image. Compositions of roses and kupavka can form a separate composition or complement the subject image.

What is the magic of Gorodets patterns? There are only colors: red, blue, green, a little yellow, and black and white for revitalization. It's all about which paints to put next to so that you get a harmony of color. What is the magic of Gorodets patterns? There are only colors: red, blue, green, a little yellow, and black and white for revitalization. It's all about which paints to put next to so that you get a harmony of color.

ASSIGNMENT Make a sketch of one of the household items: boards for cutting bread, boxes, kettle coasters, wheelchair toys. Decorate it based on motives Make a sketch of one of the household items: boards for cutting bread, boxes, kettle stands, wheelchair toys. Decorate it based on

TASK Gorodets painting, using gouache and brushes different sizes... First, prime the wood-colored paper or cardboard with ocher and whitewash. Gorodets painting, using gouache and brushes of different sizes. First, prime the wood-colored paper or cardboard with ocher and whitewash.

TASK Think over the composition of the painting. With a large brush, paint the main spots of the paint in the form of flowers (red, pink, blue) and birds (black). Write the leaves at once in one stroke. Think over the composition of the painting. With a large brush, paint the main spots of the paint in the form of flowers (red, pink, blue) and birds (black). Write the leaves at once in one stroke

Take a palette - a blank sheet, put it in front of you.

Take a brush in your hand, moisten it in the paint, set the brush vertically to the sheet and rotate it.

We got a circle.

To make this circle larger, attach the brush to the circle and lead the path. This method is called "sticking".

To make the circle even larger, take another path.

Try to draw a circle yourself using the "sticking" method, and I'll see how you do it.

Set the palette aside, place a round blank for a flower in front of you.

Choose a color (blue or red) for your flower. Mix it with white paint, for this I have prepared small squares for you.

Now let's try to draw a circle on the workpiece, just like on the palette. You need to do this carefully and correctly so that your flower turns out to be beautiful.

Show your willingness.

To continue painting on it, the paint must dry.

Physical education.

Get up from your seats. Now we will rest a little. Repeat the movements after me.

You see, the butterfly flies, (We wave our wings.)

Counts flowers in the meadow. (We count with a finger.)

- One, two, three, four, five. (Claps of your hands.)

In a day, in two, and in a month ... (We walk on the spot.)

Six seven eight nine ten. (Claps of your hands.)

Even a wise bee (We wave our winged hands.)

Well done! Sit down in your seats.

Check your blanks.

Whoever has a dry circle, raise your hand.

Now we need to draw a bright circle.

Raise your hand for those who will be drawing the "rose tree".

Tell me where will you draw the bright circle? In the middle of a large one, or move it away from the middle?

Raise your hand for those who are going to draw the "kupavka".

Tell me where will you draw the bright circle?

Tell me, in order to draw a bright circle, do you need to add white color to the paint?

Get to work.

Draw a bright circle as well as a large one.

Take a brush in your hand, moisten it in the paint, set the brush vertically to the sheet and rotate it. If the circle is small, follow the path.

Who's already finished, raise your hand.

Put our blanks aside.

Let's go back to our palette.

Now you need to practice drawing the arches.

When drawing arches, do not use a lot of water, otherwise they will blur and your flower will wither.

We hold the brush vertically to the sheet, touch the sheet of paper with the tip of the brush, draw a line, press the brush pile completely, round it, stop.

Stop, put your brushes aside.

Shake your hands to rest a little, rub each finger.

Take the brush into the kuru. Return to where you left off. Press the bristle of the brush, draw a line, lift it up and finish our bow with the tip of the brush. Try to draw the bow yourself, and I'll see how you do it.

Done, back to our flower.

Tell me, bows, what color are we going to paint?

That's right, the same as the bright circle.

Who has a red circle, arches, what color will they be?

Who's got blue?

Proceed with the assignment.

It remains only to revive the flower, to apply white revitalization: strokes, arches, dots.

Set your flower aside. Take the palette. A cotton swab. Now I will show you how to make a point with a cotton swab to revive. Dip a dry cotton swab into the paint and mark a dot on the paper.

Now dip a cotton swab in water, then in paint and mark a dot on the paper.

Tell me, is the point set with a dry cotton swab different from the point set with a wet cotton swab? How?

It is better to make strokes with a thin brush.

Liven up your flower with strokes, dots, arches.

Draw strokes and arches neatly so that the lines are clear, white.

Everybody revived their flower?

Finish your work.

Emma Zhavnovskaya

Gorodets painting-one of the traditional Russian folk crafts. This wonderful painting difficult to confuse with another. Paints Gorodets painting bright, juicy, cheerful, and everything in it is symbolic. Black horses with a steep neck and thin legs are a symbol of wealth, unprecedented birds are a symbol of happiness, and flowers- health and success in business. Let's try draw the simplest pattern- flowers and buds... Here's one.

For this we need: brushes of different sizes, gouache or acrylic paints.

With a wide brush, tint the circle under the "tree".

We mix white gouache with red and blue, we get shades of pink and blue. Hold the brush vertically. Draw circles, the so-called "underpainting"

With blue and red gouache we draw "underpainting" of a smaller size, going a little over the main circle.

We decorate our rose tree with petals, on the buds draw arcs.

Now we start drawing leaves and twigs. Applying with a brush, we make symmetrical leaf prints.

And finally, the most important thing. Our pattern needs to be revived. Take the thinnest brush and with a light touch we apply "revives" with white paint in the form of dots, arcs, droplets, strokes. Do not overdo it. The main thing here is to observe

knowing of limits.

As you can see, nothing complicated. Good luck everyone!

Whistle birds.

Decorative plates.

In one whole. 7 Basic Songs Gorodets murals Flower painting 8 Floral painting Rosan Kupavka 9 ROSAN Rosan reflects the main ... with a neatly combed mane. 13 Basic Songs Gorodets murals Storyline painting 14 Story painting This is one of the most time consuming and amazing ...

Vegetable, animals. Talking about plant elements Gorodets murals, it is impossible not to mention Gorodets flowers that have a variety of shapes and colors ... up to three or five leaves. Animal motives Gorodets murals deeply symbolic. Gorodetskaya the bird embodies family happiness and well-being, ...

Remained the same. The main elements Gorodets murals consider "roses", "kupavka", "chamomile", "bells". main characters Gorodets murals- a bird and a horse. All ... and their variety. 1. Name your homeland Gorodets murals... 2. What products with Gorodets painted could be found at fairs? 3. ...

Spinner. The vertical part consisted of a shovel and a neck (legs). Gorodetskaya painting- how can we not know it. There are hot horses here, ... Kupavka Rosan Stages murals 1. Underpainting 2. Shadowing 3. Reviving - What art craft have we met today? - Name the elements Gorodets murals? - On...

The spinner is sitting. The vertical part consisted of a shovel and a neck (legs). Gorodetskaya painting- how can we not know it. There are hot horses here, well done .... Ozhivka - What art craft have we met today? - Name the elements Gorodets murals? - What products are used for ...

Question 3 Basis of style Gorodets murals: "Magical realism" - everyday life - abstraction - Question 4 What was decorated Gorodets painted originally? - platbands on the windows ... The purpose of this presentation was to acquaint children with a unique Gorodets painted, its history of creation and development. Presentation...

CITY PAINTING Art Gorodets murals originated in the Volga region near the town of Gorodets, not far from the Lower ..., boxes, stands for a kettle, toys-rollers. Decorate it based on QUESTION Gorodetskaya murals using gouache and brushes of different sizes. Prime the paper first, or ...